Gilmore Girls, Notationgate, and HarvardgatePosted: April 30, 2017 Filed under: Academia, Music - General, Musical Education | Tags: charlotte gill, gilmore girls, harvardgate, lindsay edkins, musical notation, notationgate, rory gilmore 3 Comments
In light of the recent heated discussions following Charlotte Gill’s article on musical notation and theory, which have come to be known as #notationgate, and the wider discussions about the removal of music theory as a core subject at Harvard University, I was very happy when my wife Lindsay pointed out to me that this subject actually featured in Gilmore Girls: A Year in the Life, a 2016 sequel to the 2000-7 series. In this section, journalist Rory Gilmore goes back to her private school, and tells the assembled crowd the following:
We all have our proclivities, right? The things we loved before Chilton, the subjects we wanted to study. I had them. Literature, history. And I absorbed them. But with time, I discovered that it’s the stealth subjects, the ones I discovered while I was here, that really expanded my mind the most. I love music. So I thought, ‘I’ll take a music course. Composition and theory. How hard could it be?’ Well…. [laughs]….it was a struggle. Let’s put it that way. I had this notion that somehow my extensive familiarity with Nick Cave, and Radiohead, and a smattering of Stravinsky destined me for success. So I’ll never forget the day that I realized my composition class required composing. But I did it. I composed the melody, I added the harmonies, I drew those treble and bass clefs, I wrote those whole notes, those half notes, those quarter notes, those rest stops, and while you’ll never witness a public performance of my composition, because of that experience, I can see music when I hear it. I only ever heard it before. And I’ll always be grateful for that.