This afternoon (Wednesday October 21st, 2015), the Home Affairs Select Committee (HASC) will be taking evidence relating to allegations and investigations into the abuse of children committed by VIPs (and in at least one case, alleged rape of an adult woman) from five important people: Detective Chief Inspector Paul Settle, formerly of Operation Fernbridge, Assistant Commissioner Patricia Gallan and Deputy Assistant Commissioner Steve Rodhouse of the Metropolitan Police, Tom Watson MP, Deputy Leader of the Labour Party and a prominent campaigner on child abuse, and Alison Saunders, Director of Public Prosecutions. A report this morning makes clear that the committee have decided not to interview Zac Goldsmith, MP for Richmond Park and Conservative candidate for London Mayor.
Over the last two weeks, ever since the broadcast on October 5th of the BBC Panorama programme on the alleged VIP Paedophile Ring, there has been a concerted media campaign targeting Tom Watson above all, who has been labelled a ‘witchfinder general’, as responsible for supposedly unfounded claims of high level abuse. I do know Tom personally, vouched for the importance of his work on abuse as part of his deputy leadership campaign materials, and so obviously am far from impartial, but can see in absolute honesty that I do not recognise the figure portrayed by much of the press, and also have very strong reason to believe Tom has acted with integrity and in good faith. I suspect that his conciliatory position as deputy to new Labour leader Jeremy Corbyn, despised by the right-wing media and many Blairite elements in the party, is fuelling this campaign. Furthermore, there are complicated reasons which may become apparent this afternoon why some conflicts have arisen between various parties all devoted to uncovering and preventing child abuse by prominent persons. Last week I posted a detailed timeline of events relating to Leon Brittan, which I believe show clearly that the decision to pursue further the rape investigation into him, after it had been dropped, came from the Met, not from Tom.
The following are issues I implore all members of HASC to consider before questioning this afternoon.
Allegations of a statement taken by an ex-customs officer about the late Lord Brittan
The distinguished journalist Tim Tate has written what to my mind is the most important piece on the allegations surrounding Leon Brittan (later Lord Brittan). Tate does not accept the claims, printed in Exaro and elsewhere, that a video seized in 1982 from Russell Tricker featured the Home Secretary themselves, but crucially claims that a statement was taken from the customs official in question, Maganlal Solanki, attesting to having seized video tapes from Brittan upon entering the country at some point in the 1980s. If a written statement exists attesting to this, it is of crucial importance in establishing whether there might be any truth in the allegations against Brittan. HASC should ask Settle to explain whether this exists or not. Furthermore, at the time of the 1982 siege of Elm Guest House, a then-eight-year-old boy was found and questioned, later (now an adult living in the US) questioned by detectives from Operation Fernbridge. On at least one occasion, this boy identified an ‘Uncle Leon’ from the ‘big house’ as being involved. It is equally vital that Settle is questioned about this. Furthermore, Solanki should also be summoned to speak to HASC.
Tate sent the following questions to the Independent Inquiry on Child Sexual Abuse (to the best of my knowledge he has not yet received an answer) – I suggest these are equally relevant for HASC:
1. Has the Inquiry yet established direct contact with Operation Fernbridge ?
2. Will the Inquiry be examining documentary evidence held by Operation Fernbridge concerning its investigations into the late Baron Brittan ?
3. Specifically, will the Inquiry secure from Operation Fernbridge copies of all such documents including, but not limited to, formal statements made under caution, officers’ notebooks, internal memoranda and historical documents acquired during its investigation into the late Baron Brittan ?
4. Does the Inquiry plan to require public testimony from the current head of Operation Fernbridge, AND its former senior investigating officer, [NAME REDACTED HERE] concerning the late Baron Brittan?
5. Does the Inquiry plan to require public testimony from the former Customs and Excise officer Maganlal Solanki who gave evidence to Operation Fernbridge concerning the alleged seizure of child pornography from the late Baron Brittan ?
6. Does the Inquiry plan to take evidence from the US Marshall formerly attached to Operation Fernbridge in connection with a visit he made at the request of Operation Fernbridge to a suspected victim of Baron Brittan ?
7. Does the Inquiry plan to publish the documents acquired and/or generated by Operation Fernbridge during the course of its investigation into Baron Brittan ?
Involvement of other MPs
By far the majority of the focus has been on Tom Watson, but other MPs have been equally involved with campaigning on abuse, and some have made more extravagant claims or threats. Specifically:
1. The Labour MP John Mann has handed police a list of 22 politicians alleged to have been involved with the abuse of children. Furthermore, in July last year, Mann indicated the possibility of using Parliamentary privilege to name abusers.
2. The Labour MP Simon Danczuk also threatened to use Parliamentary privilege to name a politician alleged to have visited Elm Guest House; whilst Danczuk did not ultimately do so, it is widely believed to have been Brittan.
3. On October 28th, 2014, the Labour MP Jim Hood did indeed name Brittan in Parliament. The following day, Danczuk backed Hood for having done so.
4. On November 27th, 2014, Conservative MP Zac Goldsmith said the following:
We need only consider the Elm guest house in Barnes, which was run by Haroon and Carole Kasir. It was raided more than 30 years ago, back in 1982. The couple were fined and given suspended sentences for running a disorderly house, but at the time there were already questions and allegations around the abuse of young children at the house. Allegedly—we are reliably told this—12 boys gave evidence in 1982 that they had been abused, yet all these allegations simply evaporated at the time, some 30 years ago. They are only resurfacing now.
When Mrs Kasir died a few years after the house was raided, in very odd circumstances, a child protection campaigner from the National Association Of Young People In Care called for a criminal investigation into events at Elm guest house. He said he had been told by Mrs Kasir that boys had been brought in from a local children’s home—Grafton Close, also in Richmond—for sex, and that she had photographs of establishment figures at her hotel. One of them apparently showed a former Cabinet Minister in a sauna with a naked boy. She had logbooks, names, times, dates, pictures of her customers and so on. All that evidence simply disappeared after the raids and no longer exists. That is astonishing.
The Met has since confirmed that Cyril Smith visited the place—the hon. Member for Rochdale has made this point—and at least three other men named in documents as visitors to the Elm guest house were later convicted of multiple sexual offences against children. It is impossible to believe there was not a cover up. This is not sloppiness; there has to be more to it than that.
I was quite surprised when I watched the broadcast of this debate in November to hear these claims, which are thought to be tenuous by many campaigners, presented in Parliament. Questions have been rightly asked about Goldsmith’s source for the claims – the Mail journalist Guy Adams suggests it was like to be either Chris Fay or Mike Broad (Fay has e-mailed me to indicate that he has never met nor had any contact with Goldsmith). Furthermore, Goldsmith participated in an Australian documentary Spies, Lords and Predators, broadcast in July this year and heavily influenced by the reporting of Exaro, which has come under severe criticism.
5. The Conservative MP and HASC member Tim Loughton, who has in the last few days started charging Watson with setting himself up as ‘judge, jury, and executioner’ over individual cases, himself threatened in July 2014 to use what he called the ‘nuclear option’ to name suspected paedophiles in Parliament. He also called for action from the inquiry in November 2014 following allegations from Exaro about MPs throwing sex parties involving the abuse of children, murder, and more.
Many of these are stronger claims or threats than anything by Tom Watson, who in a November 2014 interview with Guardian journalist Decca Aitkenhead said just that at least one politician had abused children.
HASC needs to speak to Mann, Danczuk, Hood, Goldsmith, and Loughton.
Allegations of a Westminster paedophile ring
It is often claimed that Tom Watson has alleged the existence of a Westminster paedophile ring. This would be truer of Danczuk (I am not absolutely sure if he has specifically used the term, but will check); Watson’s question to the Prime Minister on October 24th, 2012 contained the following words:
The evidence file used to convict paedophile Peter Righton, if it still exists, contains clear intelligence of a widespread paedophile ring. One of its members boasts of his links to a senior aide of a former Prime Minister, who says he could smuggle indecent images of children from abroad. The leads were not followed up, but if the file still exists I want to ensure that the Metropolitan police secure the evidence, re-examine it and investigate clear intelligence suggesting a powerful paedophile network linked to Parliament and No. 10.
A network which is linked to Parliament and No. 10 is not the same thing as a Westminster paedophile ring. There is no doubt that a network existed around Righton, at the very least featuring other committee members of the Paedophile Information Exchange, such as Charles Napier, convicted and sentenced last December to 13 years for hundreds of sexual assaults upon young boys, or Righton’s partner Richard Alston, jailed in September for 21 months for child abuse charges, in a trial at which claims emerged of sessions involving Alston, Righton and Napier together.
The link to Parliament and No. 10 rests upon claims made in a document about which I am not at liberty to write now. Tom Watson’s source for his original PMQ was retired child protection worker Peter McKelvie, who last week resigned from the Victims and Survivors Consultative Panel to the inquiry.
Scapegoats are being made of McKelvie and Watson in a bid to stop further investigation of a wide range of claims about politicians of which both are aware. It is vital that HASC also summon McKelvie and ask him about this specific claim mentioned by Watson in 2012.
If HASC will deal seriously with these claims, they will be carrying out their proper role, and not serving simply as a front for political point-scoring. The issue of high-level child abuse is far too serious for this, and it would be a tragedy if the cross-party consensus which was previously built on this were now to be abandoned.
The following is the publication Counselling Homosexuals: A study of personal needs and public attitudes (London: Bedford Square Press, 1973) by Peter Righton. It includes his public thoughts on the relationship between homosexuality, pederasty and paedophilia.
Peter Righton’s writing on child abuse in Child Care: Concerns and Conflicts – his cynical exploitation of a post-Cleveland situationPosted: August 28, 2015
In light of the conviction yesterday of Peter Righton‘s lover Richard Alston on child abuse charges, in which information was brought to the court’s attention about Alston and Righton abusing a boy together, I intend to update my blog posts on Righton (who was on the executive committee of the Paedophile Information Exchange, and wrote openly about paedophilia) to include more information about Alston, which I previous omitted as he was still awaiting trial which I would not have wished to prejudice. I also plan to blog some more information specific to Alston. But here is another essay from Righton which I am blogging here for the first time.
Peter Righton in 1992.
In 1976 Righton co-edited with Sonia Morgan a collection of essays entitled Child Care: Concerns and Conflicts (London: Hodder Education, 1989), a revised edition of which appeared in 1989, for which Righton also wrote an introduction, which I have reproduced below.
In this introduction, Righton writes first on the family, which he portrays primarily as a site of conflict and tension in light of increasing rates of divorce, remarriage and single-parent families, and advocates a greater degree of sharing of care responsibilities between families and agencies in such situations. It is not difficult to see how this constitutes a strategy on the part of Righton and other paedophiles to increase the availability of deeply vulnerable children for exploitation.
Then Righton includes a section on Child Abuse (following a brief mention of it in the section on the family). Whilst at first he is very keen to stress how the majority of child abuse occurs in the family (which while true is something often flagged up by non-familial paedophiles to take the attention of them), and then draws attention to the 1987 Cleveland Child Sexual Abuse Case, in which 121 diagnoses were made during a five month period leading to children being taken away from their parents and placed in care or hospital on grounds of suspected abuse. The subsequent inquiry, chaired by Lord Justice Butler-Sloss, concluded that most of the diagnoses were inaccurate, and most of the children were returned to their parents. Righton cites this case in order to highlight the danger of false allegations, and goes on (in a manner which is most familiar from PIE and other paedophile publications) to argue that the damage done to children by investigations by social workers and others can be as great or greater than the damage of abuse itself. Righton evokes the idea of a boy or girl who ‘has denied that he or she has been subject to molestation by a parent, yet knows that denial is not believed’, as if this were the primary form of disbelief about which one should be worried.
I do not intend here to express a view on the validity or otherwise of the particular reflex anal dilation test which (nor am I in any sense qualified to do so) by Dr Marietta Higgs and Dr Geoffrey Wyatt. But I offer this to show just quite how cynically a paedophile like Righton could snap up any chance available to portray over-zealous social workers intervening in cases of suspected child abuse. Ultimately, what Righton wanted was least intrusion as he and his networks continued to abuse children in the most hideous manner. That he was able to obtain a position of such respect in the social work profession, and use this to propagate his insidious propaganda, is deeply disturbing.
Call for All Political Leaders and Leadership Candidates to Pledge Full Co-operation with Abuse InquiryPosted: July 9, 2015
The Independent Inquiry into Child Sexual Abuse is now underway. Despite two previous chairs rightly standing down due to some of their connections, and unpleasant politics between some other panel members and other individuals, resulting in the loss of several very good people, nonetheless what is now in place is strong, focused, and has real powers. I am very pleased at the access to intelligence files and also the pledge that no-one who comes forward will face prosecution under the Official Secrets Act. And personally, I am especially pleased that the Terms of Reference make clear that music tuition will be an area of investigation, for which I have campaigned qnd lobbied for several years. The website is at:
Some survivors and campaigners have unfortunately expressed grave reservations about the inquiry. I would implore them to at least try engaging with it, difficult though this might be, in full recognition of the fact that they have more reason than anyone to be distrustful of any such venture. But I believe the chair and panel do wish to get to the bottom of this terrible factor afflicting our society for so long, and help to build a better society in its place.
In an interview I gave earlier today for Sky News:
I called for the leaders of all the major political parties to pledge full co-operation with this inquiry (and make all relevant documentation available) and want to repeat this now, and hope others will help with urging publicly not only current leaders, but also leadership and deputy leadership candidates, to do so. Much evidence has come to light suggesting that abuse by senior politicians in many parties was either ignored or actively covered up, and that other politicians had connections to paedophile organisations. It is paramount that this is fully investigated in order to understand better how high-level abuse could go on for so long with apparent impunity.
So I ask people, journalists, campaigners, bloggers, tweeters and others to help keep the pressure on the following politicians in England and Wales to give such a pledge, and if not, explain not.
Leader: David Cameron
Future Leadership Candidates: Boris Johnson, George Osborne, Theresa May
Leader: Nick Clegg
Leadership Candidates: Tim Farron, Norman Lamb
Leader: Harriet Harman
Leadership Candidates: Liz Kendall, Andy Burnham, Yvette Cooper, Jeremy Corbyn
Deputy Leadership Candidates: Tom Watson, Stella Creasey, Ben Bradshaw, Angela Eagle, Caroline Flint
Leader: Nigel Farage
Leader: Natalie Bennett
Leader: Leanne Wood
Below I reproduce some sections from the volume Painful Extractions: Looking back at a personal journey (Eye: Thornham Books, 2002) by John Henniker-Major, the 8th Baron Henniker. Henniker is of interest to those investigating organised child sexual abuse because of the fact that the notorious Peter Righton, former Executive Committee member of the Paedophile Information Exchange, author of various freely available writings advocating sex with children, and senior figure in the social work profession, took up residence on Henniker’s estate, Thornham Magna, following Righton’s conviction for importing and possessing pornographic material featuring children in 1992. Numerous groups of children were brought from Islington and elsewhere to Thornham Magna on day trips and it is feared that they were the victims of abuse at the hands of Righton; the Exaro website has cited one person alleging brutal sexual assault and violence from Righton, also involving the former PIE treasurer Charles Napier, recently jailed for 13 years for sexual offences against 23 boys, and now even a sadistic murder by Righton on the estate.
I hope to be able to post a more comprehensive guest blog post on Henniker and his relationship to disgraced former diplomat Peter Hayman soon.
When time permits, I intend to thoroughly update my blog post on Righton to take account of the amazing research collected on the blog of Charlotte Russell, drawing upon a wide range of previously unseen archival documents. I cannot recommend strongly enough that anyone interested in particular in the Paedophile Information Exchange, and its links to the National Council of Civil Liberties and to politicians therein, read the various meticulously researched posts on this blog.
With great thanks to Tom Symonds for forwarding these files to me.
The following is the complete file in the National Archives, PREM 19/588, ‘SECURITY. Sir Peter Hayman: allegations against former public official of unnatural sexual proclivities; security aspects’, which was made public today. Hayman was a senior diplomat and member of the Paedophile Information Exchange who is also believed to have been Deputy Director of MI6. For reports on this, see those from the BBC, Sky News, Guardian Independent, Telegraph, Mail and Mirror.
I will post further links relating to Hayman later; for now, I would recommend strongly people read this collection of articles at the Spotlight blog. Also of great importance are the most recent articles from Exaro here, here and here.
New article on abuse and classical music by Damian Thompson in the Spectator, and some wider reflections on classical music and abusePosted: December 5, 2014
A new article went online yesterday on abuse in the classical music world – Damian Thompson, ‘Classical music’s dirty little secret’, The Spectator, December 6th, 2014. It contrasts in particular the revelations about alleged abuse within the El Sistema organisation through the work of Geoff Baker, and those about abuse at Chetham’s School of Music and elsewhere, featuring an interview with me on this and related subjects. The article goes deeper than most have done previously, and I would urge all to read it.
I have been reflecting more widely on the relationship between the callous exertion of power in music and also aestheticised outlooks, and the abuse of both children and adults, and wanted to share a few thoughts growing out of what I said for the Spectator interview. I have published previously on this in the Times Educational Supplement here and here, and will write at more length on these issues at a future date. At the heart of this lie the issues of the exploitation of power beneath an artistic veneer, and the relegating of human interests secondary to other aesthetic or more abstract concerns, an subject which has exercised me for a great many years. Here are my thoughts for now.
There are multiple ways in which sexual abuse occurs in musical education in the UK (see my earlier posts here and here for documentation of various cases since 1990). One involves abuse of pre-pubescent boys in choirs, and has been found time and time again in many leading private schools; another involves adolescents, primarily but not exclusively girls, who are sexually exploited by instrumental teachers, especially in specialist music schools and at summer music courses and the like. There is also of course much evidence of abuse of both sexes by private music teachers, who are often not subject to the same checks as those working in some institutions. The process of sexual exploitation of adolescents also continues with young adults in conservatoires, in a similar fashion. Instrumental teachers have great power and prestige which can easily be exploited when they have access to vulnerable, sometimes star-struck, girls and young women. The many stories I have heard are utterly hideous and depressing. Teachers regularly reduce their students to tears so they can then comfort and sexually touch them, or ask the students to perform sexual acts as a sign of how much they ‘trust’ them. Some are told they can only do justice to certain types of music when they have become a ‘whole woman’, as a prelude to sex. Other teachers simply attempt to force themselves on students in lessons in ways which can be terrifying and amount to attempted rape. Some have been told by directors of institutions that if they dare to go to the police, then they can give up any hope they might have had of a musical career; those with powerful connections are indeed often in a position to do this.
But there are certainly non-sexual forms of abuse which have gone on at all the music schools as well, which can be just as damaging. The issues of abuse in the classical musical world are not in my opinion simply about some people in power being sexually attracted to some musicians – I don’t think that is something surprising, unnatural or wrong, even if they act on those desires, when the musicians are above the age of consent and of course consenting. But I believe these link to a deeper culture of power and its wilful exertion, a vocabulary and mentality of sexual predation as a strategy to demean, dominate, humiliate for reasons that are far from merely sexual. In this field, in my experience, there is no reason to believe that female teachers are any less likely to be culpable than male ones (and in the case of actual sexual abuse the gender divide is not necessarily so simple; even where not actual perpetrators, some female teachers and others have been amongst the most staunch defenders of abusers, and acted in hateful and vicious ways towards those they have exploited).
In such a context sexual abuse can often be an extension of other forms of emotional and physical abuse, in order to enforce a relationship of domination and dehumanisation mystified by the aura surrounding ‘artistic’ personalities and their relationships to others. An artistic aura and its associated temperament can often mask simple cases of fragile egos and other insecurities, which can be bolstered by dominating others. Such domination works best with a willing or at least helpless victim in the form of a child, or one who acts and appears like one.
At the same time, I think we need to look hard at the way audiences and others ‘consume’ and psychologically dominate musicians, especially young ones. Is the young performer presented in a rarefied fashion for an audience’s delectation so different from a glamour model, or even one in a window in a red light district? Are they meant to have a will of their own, or merely to please others?
The world view of the nineteenth-century aesthete still has a profound impact upon classical music culture, certainly in the UK, US, France and some other places. I have spent quite some time studying this in various contexts (not least the ways in which this outlook can be linked to fascism, as diagnosed in different ways by Walter Benjamin, Roger Shattuck and Frederic Spotts). The aesthetic movement was a type of quasi-aristocratic rearguard group of aesthetes reacting against the growth of bourgeois society and mass culture. They believed moral questions and human interests to be of little importance relative to their own notions of beauty. This beauty was of course something only a small number were in a position to appreciate, an aesthetic aristocracy if you like, and they often viewed other human beings in purely aesthetic terms. I believe this is profoundly dehumanising. There is also a considerable overlap between early aesthetes, including Pater, Wilde, Huysmans, Crowley and others, and the movement of ‘Uranian’ poets and some artists, a group of pederasts who were described in the volume Betrayal of Youth as like a nineteenth-century version of the Paedophile Information Exchange.
To the aesthete, a young boy not yet faced by the doubts, moral choices and responsibility of an adult, is unthreatening and more ripe to be adored and salivated over. If you look at pederastic photographs of naked young boys in classical poses by Wilhelm von Gloeden, who was associated with the Uranians (and whose work I have earlier written about in terms of its influence upon some music of Michael Finnissy), you will see a similar thing. Certain qualities are favoured – looks suggesting arrogance but submission, petulance and self-centeredness, and sometimes exaggerated hyper-masculinity, absolutely nothing which would suggest an emerging mind or any trappings of an intellectual-to-be.
I have seen exactly the same attitudes at play regularly amongst those with power in the classical music world. Young men and women favoured to the extent they exhibit (deliberately or unwittingly) certain of these attributes. Some men because they look like a slightly thuggish rent boy, some women because they can give the right type of Shirley Temple-like sickly-sweet smile. Fundamentally, they become objects, and often the critics, administrators, radio producers and so on who favour them will abandon them as they get older, so they can move onto their next bright young things. This is all part of the same processes of domination of which sexual abuse of children is the most extreme form.
There’s a very obvious continuum, to me, between von Gloeden’s arrogant yet submissive naked boys and the picture of Gustavo Dudamel with a smug and self-satisfied expression, showing how his willingness to conform to the needs of others is rewarded with a Rolex watch. Similarly between Lewis Carroll’s pederastic pictures of young girls and some of the images routinely encountered of young female violinists. The same is true of the publicity materials and discursive constructions around numerous Wunderkind young composers and performers. The arbiters of classical music enmesh musicians into their own web in ways which bear an uncanny resemblance to the grooming strategies of paedophiles. I have even come to consider more sinister interpretations of the apparent innocence, suffused with unspoken desire, which I hear in works such as Erik Satie’s Gymnopédies, possibly representing dances of naked boys (in part) at an ancient Spartan festival, at a time when the concept of ‘Greek love’ (love between men and boys) was very much in vogue in British and French artistic circles.
There were tyrannical teachers and educational practices which grew in the nineteenth century. It was seen as perfectly acceptable to beat students; teachers put them through gruelling (and generally useless) regimes of exercises so that the few who had not had a nervous breakdown or suffered irreparable muscular damage could feel themselves blessed and ‘toughened up’ for a musical career, in which they could inflict the same on their own students. Learning, practising, and music-making were made mind-numbing and conducted in an atmosphere of intense fear. In the educational culture bequeathed above all by the early Paris Conservatoire, the emphasis was no longer upon producing a rounded musician and individual, as in earlier times, but more simply a streamlined playing machine. But in many places these methods were found to be unsatisfactory in many respects and more mature and humane approaches began to take their place, which also often produced much finer musicians.
But then with the Cold War and the Soviet need above all to produce competition winners rather than rounded musicians, there was something of a backlash. Dictatorial approaches to teaching, with no concern for the wider consequences, came back into fashion. Some were aped in the West, crowding out some alternative approaches. Several of the specialist music schools in the UK – all of which were founded between 1962 and 1972 – were explicitly modelled on Russian institutions and styles of teaching, at a time when considerations of the welfare of children and the dangers of such hothouse environments hardly registered.
I have heard major allegations of abuse at all five institutions. The schools have certainly all produced some successful musicians, but if they are happy to take credit for these, they must also take responsibility for the ruined lives, sometimes racked by depression, self-harm, suicide attempts and more, which are equally their legacy. The effect of a school upon all who attended it, not just a small successful minority, matters.
Bullying and malicious exploitation of power in musical education are also rampant. Insecure teachers do this plenty. One of my own former students underwent some serious bullying at the hands of another teacher on a course, who tried everything he could to undermine this pianist by repeatedly spreading malicious talk about him to others, doing all he could to humiliate him in front of others (and before he was about to perform) and so on, because he saw him as a threat. Various people complained about the behaviour of this teacher, but of course nothing was done. This individual once proudly pronounced ‘I get students who think they are good – my job is to make them realise they suck’. This attitude is all-revealing – it is not about helping the student, but playing power games to bolster the teacher’s own self-esteem.
Other types of behaviour I have often encountered have deeply shocked me – just the callousness of it all. One privileged young composer thought nothing of fabricating false rumours about a rival, claiming he was being beaten up by his father, so as to portray this rival as unstable and thus unlikely to be up to being a composer. What has shocked me even more is how many people know this and other similar things about this person, but are completely unbothered by it – certainly it did not impede his own progression in academia. I know one instrumentalist who feigns friendship in order to gain other musicians’ confidence, so that they might reveal such things as spells of depression, which he then uses as malicious gossip to undermine them; another did the same when he found that one woman was going through a legal process in which she alleged her father had abused her. A prominent musician, upon being appointed to a prominent position, bragged to others that now he had the chance to get revenge on all those who had previously stood in his way.
Classical music and its associated culture is still shot through by some fundamentally hierarchical nineteenth-century values which are little in vogue any longer in other cultural fields. I am not saying we should throw out the baby with the bathwater, but do believe much rethinking is necessary. Sexual abuse in classical music is maybe the most extreme symptom of a wider corruption. When you have a culture which idolises a small few ‘great men/women’, sees narcissism, bullying and despicable treatment of others not simply as unavoidable evils but actually as signs of artistry, and encourages an attitude of awe and submission, rather than concrete and critical engagement, then the dangers of abuse are acute.
Whilst figures such as Beethoven or Wagner or Furtwängler or Britten continue to be idolised not just for the work they produced but for the personalities they were, then the role models for younger musicians are fatally flawed. We should reject entirely the idea that musicians are a breed apart, and discourage such thinking.