Research Paper at City University, November 12th, on ”Clifford Hindley: The Scholar as Pederast and the Aestheticisation of Child Sexual Abuse”Posted: October 3, 2014
I will be giving a research paper at City University, London (where I am a Lecturer in Music) on November 12th, 2014, in Room AG09, College Building (on St John Street), at 6:30 pm (preceded by another staff presentation by Laudan Nooshin, entitled ‘Sites of Memory: Public Emotionality, Gender and Nationhood in the Music of Googoosh’ at 5:30 pm). This relates to my research into the late priest, Home Office civil servant and musicologist/classical scholar Clifford Hindley, and is as follows.
‘Clifford Hindley: The Scholar as Pederast and the Aestheticisation of Child Sexual Abuse’
The mysterious figure of J. Clifford Hindley, who died in 2006, is well-known to scholars of the music of Benjamin Britten for of a series of scholarly articles he published on Britten’s operas in the 1980s and 1990s. During the same period Hindley also published a few articles on Classical Greece, focusing upon Xenophon and Sappho. Less well-known is the fact that in the earlier part of his life, Hindley was an ordained priest who worked for a period in India and published a range of theological articles, then worked for a while at the Home Office in London, where he was head of the Voluntary Services Unit. This year, as part of wider investigations into organised sexual abuse, Hindley has been identified by former Home Office civil servant Tim Hulbert, who was Hindley’s junior at the department, as the individual responsible for ensuring that a total of £70 000 from Home Office funds was given to the Paedophile Information Exchange (PIE) in the late 1970s and early 1980s.
In this paper, for which I draw upon experience and expertise both as a critical/historical musicologist and as a campaigner and researcher on the subject of organised child abuse (especially in the field of classical music), I consider the obsessive focus upon paedophile themes in Hindley’s writings themselves, and locate his jargon, aestheticisation and ideologies within a wider tradition of contemporary paedophile writing since the 1960s, for which the volume Greek Love (New York: Oliver Layton Press, 1964) by J.Z. Eglinton (Walter Breen), a member of the North American Man-Boy Love Association (NAMBLA) who already had convictions for child abuse prior to the publication of this work, is a central text, leading to Kenneth Dover’s Greek Homosexuality (Cambridge, MA: Harvard University Press, 1978) – cited extensively by Hindley – which introduced the terms erastês and erômenos into the study of sexual exploitation of children, lending such activities a veneer of respectability through allusion to antiquity. I go on to consider this school of thought more widely in the context of a paedophile ‘sub-culture’ which achieved some prominence in the 1970s and 1980s.
This paper draws upon and extends and expands some earlier work published on my blog Desiring Progress (https://ianpace.wordpress.com ); some of this specific research has been used by various national news programmes in the UK, whilst the work on Hindley was requested in order to brief members of the Home Affairs Select Committee in July 2014 in advance of their questioning of the Home Office Permanent Secretary Mark Sedwill on issues of historical PIE infiltration of his department.