White Balloons & Flowers Vigil – Saturday Oct 4th, 1.45pm at 114 Grosvenor Avenue, Islington

Please do try to come on Saturday to this vigil.

spotlight

Dear Friends

On Saturday, October 4th, survivors and campaigners will launch white balloons and lay white flowers outside the abandoned children’s home at 114 Grosvenor Avenue in Islington London, in memory of those scores of young people whose lives were destroyed and ultimately taken down by the impact of child abuse whilst in the care of Islington Council. Nicholas John Rabet committed suicide in 2006 rather than face trial in Thailand for abuse of 30 boys. Whilst deputy superintendent at Grosvenor Avenue he was accused of abuse but, although there was a police investigation, he was not charged in the UK.

Too Many Have Died, Too Many Lives Destroyed… Stop Government Child Abuse Cover Ups. Time for Truth
Parliament Must Act… White Balloons & Flowers Vigil – Join us Saturday October 4th, 1.45 pm at 114 Grosvenor Avenue, Islington N5 2NY

Commemorate the Innocent. Please Bring White Balloons and Flowers

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Antony Grey and the Sexual Law Reform Society 2

A few articles were published by Dominic Kennedy in The Times in August of this year, relating to Antony Grey. I reproduce them here. One of them deals in particular with Grey’s role in the publication in the UK of J.Z. Eglinton’s book Greek Love (New York: Oliver Layton Press, 1964). Eglinton, whose real name was Walter Breen, was associated with NAMBLA, and was convicted for child molestation as early as 1954, then on various later occasions (involving boys aged 10 and above). This book is an absolutely key text in the paedophile canon.


The Times
, July 23rd, 2014
Dominic Kennedy, ‘How paedophiles gained access to establishment by work with the young; Child sex campaigners boasted the education system could not cope without them’

Paedophiles became so entrenched in jobs working with children in the 1970s that one of their leaders suggested that if they staged a national strike many schools would close.

Campaigners openly admitted that men who were sexually attracted to children were being employed as teachers, clergymen, scoutmasters and youth workers.

The campaign to legalise sex at all ages gained access to the establishment via apparently progressive organisations such as mental health groups and gay and civil rights campaigns.

The evidence has emerged as the government prepares a national inquiry into historical child abuse.

The Times has discovered that childsex campaigners and doctors admitted that many paedophiles had found jobs working with children. Paedophile groups also wooed government-funded charities so that they could gain access to opinion formers. They also invented a “children’s rights” movement, campaigning on issues such as corporal punishment, as a cover for their real purpose of decriminalising sex between adults and children.

Roger Moody, writing for a magazine published by the campaign group Paedophile Awareness and Liberation (PAL), stated: “If all paedophiles in community schools or private schools were to strike, how many would be forced to close, or at least alter their regimes?”

In a factsheet prepared by the Paedophile Information Exchange (PIE), the organisation observed that teachers, clergymen, scoutmasters and youth workers were particularly prone to “child love”. It said: “Paedophiles are naturally drawn to work involving children, for which many of them have extraordinary talent and devotion (often they are also the ones the children value most). If this field were to be ‘purged’, there would be a damaging reduction of people left to do the work.”

Maurice Yaffe, a senior clinical psychologist, identified the same four professions in an article for a medical pamphlet, saying “it is fair to say that a high proportion will have sought out positions” in these fields.

The government-funded Albany Trust, a counselling service, was used by paedophile campaigners to gain access to influential people in society. “Recent talks with the Albany Trust have proved useful in a number of ways,” said an article in PAL’s newsletter, seen by The Times. “Firstly, the trust’s present policies are such that their co-operation has more to offer PAL than groups interested only in homosexuality. Secondly, the trust is in a position to provide useful contacts with other groups and organisations. [We will continue] to work with the Albany Trust in the coming months, and we are confident that this will not only be of great value to PAL and its members, but also as regards furthering the understanding and acceptance of paedophilia amongst non-paedophiles.”

This lobbying strategy bore fruit when Antony Grey, the director of the Albany Trust, privately urged Ben Whitaker, the former Labour MP for Hampstead, author and fellow executive member of the National Council for Civil Liberties, to discuss child sex at a forthcoming meeting with the chairman of WH Smith.

“I feel very strongly that Smiths should be called on to justify their attitude and not merely to use the word ‘paedophilia’ as a dirty brush with which to smear … anyone,” Mr Grey told Mr Whitaker. There is no reply in the archive. Albany Trust now says that it disassociates itself from organisations promoting child sex abuse.

PAL warned its subscribers “to use the utmost discretion in any communication with us” because police might seize their mail.

PIE was introduced to Albany Trust by the mental health charity Mind. The director of Mind at the time was also a senior figure in the NCCL, which accepted PIE and PAL as members. Mind has apologised.

PIE was helped by Release, the drug users’ charity. A submission from PIE to the Home Office, arguing for the decriminalisation of sex with children, gave Release’s offices as PIE’s holding address. Release said that it was “shocked and deeply upset that there was, or could have been, any connection between our work and the repugnant activities and despicable views promoted by PIE”.

An edition of PIE’s newsletter includes an art review by Christopher Bradbury-Robinson, a former head of English at a Home Counties preparatory school, describing “the eroticism of paedophilia … the yearning to touch the untouched”. Bradbury-Robinson became an author and friend of the novelist William Burroughs. Often mentioned in articles promoting paedophilia was Michael Ingram, a Catholic monk who portrayed himself as an expert in counselling and child sex, but was convicted in 2000 of sex offences against six boys during that era. He died after crashing his car into a wall.

The Labour MP Jo Richardson sent a supportive message to a PIE journal Childhood Rights saying that she supported its campaign against corporal punishment.

PIE infiltrated the Campaign for Homosexual Equality and PIE’s leader tabled a successful motion at its 1975 conference. He said that it was “absurd” for it to disassociate itself from paedophilia because there were “many gay paedophiles” inside and outside of the campaign group.

dkennedy@thetimes.co.uk

Who’s who from the era of misguided civil rights

Tony Smythe
(above) The national director of Mind, the mental health charity and a former general secretary of the National Council for Civil Liberties.

Antony Grey
director of the Albany Trust, secretary of Homosexual Law Reform Society, a member of the executives of the NCCL, Defence of Literature and the Arts Society and British Association for Counselling and Psychotherapy.

Ben Whitaker
The first Labour MP for Hampstead (1966-1970). Executive director of Minority Rights Group. Head of George Orwell Memorial Trust. NCCL executive. Author. He was lobbied by Antony Grey to urge WH Smith, the newsagent, to stop using ‘ “paedophilia’ as a dirty brush with which to smear” anyone.

Christopher “CJ” Bradbury-Robinson
PIE magazine arts reviewer. Former prep school teacher. His friend William Burroughs referred to Bradbury-Robinson’s “sexual interest in small boys” in his introduction to a novel.

Michael Ingram
(below) Catholic monk who sent message of support to PIE’s magazine Childhood Rights. His purported research into child sexuality was taken seriously by experts in the 1970s but he was later exposed as a serial abuser of boys, jailed and died after crashing his car.

Jo Richardson
Feminist Labour MP. She thanked Childhood Rights for sending her a copy: “Of course I’ll support the campaign against corporal punishment,” she wrote.

GRAPHIC: Outraged women greet members of the Paedophile Information Exchange arriving for their first open meeting in London in 1977 with a barrage of eggs
NEVILLE MARRINER / REX FEATURES

Mary Whitehouse, the morality campaigner, delivers a 1.5 million signature petition against child sexual abuse to Downing St in 1978. Ben Whitaker, the Labour MP, campaigning in Hampstead with Catherine Jay, Judy Todd and Helen Jay, was an associate of Antony Grey


The Times
, July 22nd, 2014
Dominic Kennedy, ‘Trust head helped edit book about sex with boys’

The head of a charity that received a government education grant secretly helped to edit a book about sex between boys and men, The Times can disclose.

Antony Grey, who was director of the Albany Trust, which provides counselling for homosexuals, protested his innocence when the morality campaigner Mary Whitehouse accused him of using taxpayers’ money to promote paedophilia. He omitted to disclose that he had already helped to produce the UK edition of Greek Love, a book by the American paedophile Walter Breen, who would eventually die in prison.

The book was on a recommended reading list issued by the Paedophile Information Exchange (PIE).

The Department for Education said yesterday that it would look into what payments were made to the trust, after The Times told it that the organisation reported receiving thousands of pounds a year in funding. It stated that in the late 1970s it was receiving money from the Home Office and what was then the Department of Education and Science.

Theresa May, the home secretary, published an independent investigation this month after it was realised that the Home Office had given grants to the trust. The review was unable to allay fears that some of the government funding may have been spent supporting the PIE campaign to legalise sex between children and adults.

A spokeswoman for the Department for Education said: “We will look in to the question of whether the department funded Albany Trust in the 1970s.”

The trust first came under the spotlight when Mrs Whitehouse claimed in a speech that it had been using grants to support paedophile groups. Mr Grey denied that any public money had been given to paedophiles.

He said in an article that he had attended a workshop by the charity Mind where a paedophile spoke “openly and bravely about his life situation”. He omitted to mention that the speaker was Keith Hose, the chairman of PIE.

PIE was affiliated to the influential National Council for Civil Liberties, whose executive included Mr Grey and Tony Smythe, the director of Mind.

Records seen by The Times show that the publisher Neville Armstrong wrote to Mr Grey in 1969 about Greek Love, a treatise about men having sex with boys written by Breen, a convicted paedophile, under the pseudonym J Z Eglinton. Breen died in 1993 while serving a ten-year sentence for child molesting. Mr Armstrong said he accepted Mr Grey’s editing suggestions. Mr Grey told the publisher: “Greek Love has caused me to rethink some of my own basic attitudes to human sexuality.”

The trust also proposed to publish a pamphlet about paedophiles which stated that they “represent no special threat to society”. It was abandoned after Angela Willans, a trustee who was the Woman’s Own agony aunt, saw a draft and branded it monstrous.

The Albany Trust said: “Albany Trust wishes to make it clear it entirely dissociates itself from any organisation promoting the sexual abuse of children. Albany’s counselling services continue to provide much-needed support for individuals from all backgrounds, across the spectrum of sexuality.”

It said that the trust adhered to a professional code of ethics.


Academia and Paedophilia 1: The Case of Jeffrey Weeks and Indifference to Boy-Rape

Over on the Spotlight blog, a series of important articles have been posted on paedophilia in academia, focusing on the work of sociologist Ken Plummer at the University of Essex, Len Davis, formerly Lecturer in Social Work at Brunel University, and Donald J. West, Professor of Clinical Criminology at the University of Cambridge. There is much more to be written on the issue of the acceptance of and sometimes propaganda for paedophilia in academic contexts; I have earlier published on the pederastic scholarly writings of Clifford Hindley (formerly a senior civil servant at the Home Office alleged to have secured funding for the Paedophile Information Exchange), as well as the pro-paedophile views of leading feminist and Cambridge University Lecturer Germaine Greer. In several fields, including sociology, social work, classical studies, art history, music, literature and above all gender and sexuality studies, there is much to be read produced in a academic environment, and published by scholarly presses, which goes some way towards the legitimisation of paedophilia. In July, Andrew Gilligan published an article on this subject as continues to exist in some academic summer conferences (Andrew Gilligan, ‘Paedophilia is natural and normal for males’, Sunday Telegraph, July 6th, 2014), whilst Eileen Fairweather has written about how easily many in academia were taken in by the language and rhetoric of PIE, as they ‘adroitly hijacked the language of liberation’, presented themselves in opposition to ‘patriarchy’ and would brand critics homophobic (Eileen Fairweather, ‘We on the Left lacked the courage to be branded ‘homophobic’, so we just ignored it. I wish I hadn’t’, Telegraph, February 22nd, 2014). Back in 1998 Chris Brand, Lecturer in Psychology at the University of Edinburgh, was removed from his post after advocating that consensual paedophilia with an intelligent child was acceptable (see Alastair Dalton, ‘Brand loses job fight over views on child sex’ The Scotsman, March 25th, 1988, reproduced at the bottom of this), but such cases are rare.

I would never advocate censorship of this material or research of this type, but I believe it to be alarming how little critical attention this type of material appears to receive, perhaps still because it is taboo in certain circles to criticise anything which in particular attaches itself to the cause of gay rights (just as victims of female abusers, or researchers into the subject, find themselves under continual attack from some feminists who would prefer for such abuse to continue than for it to disturb their tidy ideologies – see my earlier post on child abuse and identity politics).

I have over a period of time been assembling information on what I would call a paedophile ‘canon’ of writings, many of them produced by academics, which use similar ideologies and rhetoric to attempt to normalise and legitimise paedophilia. Detail on this will have to wait until a later date; for now, I want to draw attention to some of the writings of Emeritus Professor of Sociology and University Director of Research at South Bank University Jeffrey Weeks, previously Executive Dean of Arts and Human Sciences and Dean of Humanities. Rarely has Weeks’ work been subject to critique of this type (one notable exception is Mary Macleod and Esther Saga, ‘A View from the Left: Child Sexual Abuse’, in Martin Loney, Robert Bocock, et al (eds), The State or the Market: Politics and Welfare in Contemporary Britain (London: Sage Books, 1991), pp. 103-110, though this is problematic in other respects).

Weeks was described in a hagiographic article from 2008 as ‘the most significant British intellectual working on sexuality to emerge from the radical sexual movements of the 1970s’ (Matthew Waites, ‘Jeffrey Weeks and the History of Sexuality’, History Workshop Journal, Vol. 69, No. 1 (2010), pp. 258-266), having been involved the early days of the Gay Liberation Front and their branch formed at the London School of Economics in 1970. He published first in Gay News, and was a founding member of the Gay Left collective; their ‘socialist journal’ included several pro-paedophile articles (all can be downloaded here – see in particular issues 7 and 8). Weeks’ first book, Socialism and the New Life: the Personal and Sexual Politics of Edward Carpenter and Havelock Ellis (London: Pluto Press, 1977) was co-authored with Sheila Rowbotham; Rowbotham wrote on Edward Carpenter, who was a key member of the ‘Uranian’ poets, who have been described as ‘the forerunners of PIE’; the volume completely ignored any of this.

In the preface to the paedophile volume The Betrayal of Youth: Radical Perspectives on Childhood Sexuality, Intergenerational Sex, and the Social Oppression of Children and Young People (London: CL Publications, 1986), editor Warren Middleton (aka John Parratt, former vice-chair of the Paedophile Information Exchange and editor of Understanding Paedophilia, who was later jailed for possession of indecent images), acknowledged Weeks gratefully alongside members of the PIE Executive Committee and others who had ‘read the typescripts, made useful suggestion, and, where necessary, grammatical corrections’.

Here I am reproducing passages from four of Weeks’ books, which should make his positions relatively clear. The first gives a highly sanitised view of the paedophile movements PAL and PIE, accepting completely at face value the idea that they were simply ‘a self-help focus for heterosexual as well as homosexual pedophiles, giving mutual support to one another, exchanging views and ideas and encouraging research’, whose ‘method was the classical liberal one of investigation and public debate’ (rather than a contact group for abusers and for sharing images of child abuse, as was well-known and documented by this stage), and more concerned about the tabloid reaction than about their victims. It is a lousy piece of scholarship as well, considering this is a revised edition from 1997 (the book was earlier published in 1977, 1980 and 1993); Weeks breaks one of the first principles of scholarship by shelving information which does not suit his a priori argument, thus saying nothing about the various members of PIE who had been convicted and imprisoned (or fled the country) for offences against children, including most of its leading members, claiming that the involvement of the Campaign for Homosexual Equality was due to its being ‘gratutiously dragged in’, ignoring the fact of their having made public statements of support at their 1974 conference (of which Weeks, at the centre of this movement, would have been well-aware). The second, on ‘intergenerational sex’ (an academic term used to make paedophilia sound more acceptable) is backed up by a range of references which is almost like a who’s who of paedophile advocates, many treated as if reliable scholarly sources rather than the child abuse propaganda they are. In common with many left-liberal writers on paedophilia, he does not endorse sex between adult men and young girls, but applies a very different set of standards when boys are concerned. The third passage is more subtle, appearing to distance Weeks from the view of J.Z. Eglinton and others, but again (drawing upon Brian Taylor’s contribution to the volume Perspectives on Paedophilia) ends up trying to make distinctions in such a way that some child abuse is made less serious. The fourth takes an angle familiar from Peter Righton and others; as abuse mostly takes place in the family, the risks from other types of paedophiles end up being little more than a moral panic.

Weeks’ minimisation of concern about sexual exploitation of boys, and concomitant greater sympathy with gay abusers than their victims, resonates with the view coming from the Labour Party at the moment, with the Shadow Home Secretary Yvette Cooper determined to make child abuse purely an issue affecting girls. Furthermore, the Labour Deputy Leader Harriet Harman, as is now well-known, was involved at the centre of the National Council for Civil Liberties when they were closely linked to PIE (whose membership were overwhelmingly adult males looking to have sexual relations with boys). Under General Secretary Patricia Hewitt, NCCL submitted a document in 1976 to the Criminal Law Revision Committee, arguing amongst other things that ‘Childhood sexual experiences, willingly engaged in, with an adult result in no identifiable damage. The Criminal Law Revision Committee should be prepared to accept the evidence form follow-up research on child ‘victims’ which show that there is little subsequent effect after a child has been ‘molested’’, echoing PIE’s own submission on the subject. Harman was not involved with NCCL until two years later, but there is nothing to suggest policy changed during her time or she had any wish to change it, whilst during her tenure NCCL went on to advertise in PIE’s house journal Magpie, and had Nettie Pollard, PIE member No. 70, as their Gay and Lesbian Officer. This was the heyday of PIE, and the support of NCCL was a significant factor. Harman, quite incredibly, went on to make paedophile advocate Hewitt godmother to her sons. Cooper is of a different generation, but all her pronouncements suggest the same contemptuous attitude towards young boys, seeing them only as threats to girls and near-animals requiring of taming, rarely thinking about their needs nor treating them as the equally sensitive and vulnerable people they are; with this in mind, abuse of boys is an issue she almost never mentions. It is alarming to me that both Harman and Cooper have parented sons and yet appear to be entirely unwilling to accept that boys deserve equal love and respect, nor keen to confront the scale of organised institutional abuse of boys

Though considering the number of stories involving Labour figures alleged to have abused or colluded with the abuse of young boys (I think of the cases in Leicester, Lambeth, the relationship of senior Labour figures to PIE, not just Harman, her husband Dromey, and Hewitt, but also former leadership candidate Bryan Gould, who made clear his endorsement for the organisation (see also this BBC feature from earlier this year; the relationship of the late Jo Richardson to the organisation also warrants further investigation), not to mention the vast amount of organised abuse which was able to proceed unabated in Islington children’s homes when the council was led by Margaret Hodge, who incredibly was later appointed Children’s Minister, the allegations around former Speaker of the House of Commons George Thomas aka Lord Tonypandy, and some other members of the New Labour government who have been identified as linked to Operation Ore; and the support and protection afforded to Peter Righton by many on the liberal left), it is not surprising if the Labour frontbench want to make the sexual abuse of boys a secondary issue. This is unfortunately a common liberal-left view, and a reason to fear the consequences of some such people being in charge of children at all, whether as parents or in other roles. There are those who see young boys purely as a problem, little more than second-best girls, to be metaphorically beaten into shape, though always viewed as dangerous, substandard, and not to be trusted; this in itself is already a type of abuse, but such a view also makes it much easier to overlook the possibility their being sexually interfered with and anally raped (not to mention also being the victims of unprovoked violence) – the consequences are atrocious. Many young boys were sexually abused by members of the paedophile organisation that Harman, Hewitt, Dromey et al helped to legitimise (I am of a generation with many of the boys who appeared in sexualized pictures aged around 10 or under in the pages of Magpie; I was fortunate in avoiding some of their fate, others were not); it is right that they should never be allowed to forget this, and it thoroughly compromises their suitability for public office. The Labour Party and the liberal left in general, have a lot of work to do if they are not to be seen as primary advocates for and facilitators for boy rape. In no sense should this be seen as any type of attack on the fantastic work done by MPs such as Simon Danczuk, Tom Watson or John Mann, or many other non-politicians working in a similar manner; but the left needs rescuing from a middle-class liberal establishment who are so blinkered by ideology as to end up dehumanising and facilitating the sexual abuse of large numbers of people. Weeks, Plummer, West, Davies, Greer, Millett, Hindley, and others I will discuss on a later occasion such as Mary McIntosh, are all part of this tendency.



Jeffrey Weeks, Coming Out: Homosexual Politics in Britain from the Nineteenth Century to the Present, revised and updated edition (London & New York: Quartet Books, 1997)

‘Even more controversial and divisive was the question of pedophilia. Although the most emotive of issues, it was one which centrally and radically raised the issue of the meaning and implications of sexuality. But it also had the disadvantage for the gay movement that it threatened to confirm the persistent stereotype of the male homosexual as a ‘child molester’. As a result, the movement generally sought carefully to distance itself from the issue. Recognition of the centrality of childhood and the needs of children had been present in post-1968 radicalism, and had found its way into early GLF ideology. The GLF gave its usual generous support to the Schools Action Union, a militant organization of schoolchildren, backed the short-lived magazine Children’s Rights in 1972, campaigned against the prosecutions of Oz (for the schoolchildren’s issue) and the Little Red Schoolbook. But the latter, generally a harmless and useful manual for children, illustrated the difficulties of how to define sexual contact between adults and children in a non-emotive or moralistic way. In its section on this, the Little Red Schoolbook stressed, rightly, that rape or violence were rare in such contacts, but fell into the stereotyped reaction by talking of ‘child molesting’ and ‘dirty old men’: ‘they’re just men who have nobody to sleep with’; and ‘if you see or meet a man like this, don’t panic, go and tell your teacher or your parents about it’. [28]

But the issue of childhood sexuality and of pedophile relationships posed massive problems both of sexual theory and of social practice. If an encounter between child and adult was consensual and mutually pleasurable, in what way could or should it be deemed harmful? This led on to questions of what constituted harm, what was consent, at what age could a child consent, at what age should a child be regarded as free from parental control, by what criteria should an adult sexually attracted to children be judged responsible? These were real questions which had to be faced if any rational approach was to emerge, but too often they were swept aside in a tide of revulsion.

A number of organizations in and around the gay movement made some effort to confront these after 1972 on various levels. Parents Enquiry, established in South London in 1972 by Rose Robertson, attempted to cope with some of the problems of young homosexuals, particularly in their relationships with their parents. Her suburban middle-class respectability gave her a special cachet, and with a series of helpers she was able to help many young people to adjust to their situation by giving advice, holding informal gatherings, mediating with parents and the authorities. [29] More radical and controversial were two pedophile self-help organizations which appeared towards the end of 1974: PAL (originally standing for Pedophile Action for Liberation) and PIE (Pedophile Information Exchange). Their initial stimulus was the hostility they felt to be directed at their sexual predilections within the gay movement itself, but they both intended to act as a self-help focus for heterosexual as well as homosexual pedophiles, giving mutual support to one another, exchanging views and ideas and encouraging research. The sort of gut reaction such moves could provoke was illustrated by a Sunday People ‘exposé’ of PAL, significantly in the Spring Bank Holiday issue in 1975. It was headed ‘An Inquiry that will Shock every Mum and Dad’, and then, in its boldest type, ‘The Vilest Men in Britain’. [30] Despite the extreme hyperbole and efforts of the paper and of Members of Parliament, no criminal charges were brought, since no illegal deeds were proved. But it produced a scare reaction in parts of the gay movement, especially as CHE had been gratuitously dragged in by the newspaper.

Neither of the pedophile groups could say ‘do it’ as the gay liberation movement had done, because of the legal situation. Their most hopeful path lay in public education and in encouraging debate about the sexual issues involved. PIE led the way in this regard, engaging in polemics in various gay and non-gay journals, conducting questionnaires among its membership (about two hundred strong) and submitting evidence to the Criminal Law Revision Committee, which was investigating sexual offences. [31] PIE’s evidence, which advocated formal abolition of the age of consent while retaining non-criminal provisions to safeguard the interests of the child against violence, set the tone for its contribution. Although openly a grouping of men and women sexually attracted to children (and thus always under the threat of police investigation), the delicacy of its position dictated that its method was the classical liberal one of investigation and public debate. Significantly, the axes of the social taboo had shifted from homosexuality to conceptually disparate forms of sexual variation. For most homosexuals this was a massive relief, and little enthusiasm was demonstrated for new crusades on wider issues of sexuality. (pp. 225-227)

28. Sven Hansen and Jasper Jensen, The Little Red School-book, Stage 1, 1971, p. 103. See the ‘Appeal to Youth’ in Come Together, 8, published for the GLF Youth Rally, 28 August 1971.
29. See her speech to the CHE Morecambe Conference, quoted in Gay News, 21.
30. Sunday People, 25 May 1975. For the inevitable consequences of this type of unprincipled witchhunt, see South London Press, 30 May 1975: ‘Bricks hurled at “sex-ring” centre house’, describing an attack on one of the addresses named in the Sunday People article.
31. There is a brief note on PIE’s questionnaire in New Society, vol. 38, No. 736, 11 November 1976, p. 292 (‘Taboo Tabled’).



Jeffrey Weeks, Sexuality and its Discontents: Meanings, Myths & Modern Sexualities (London: Routledge & Kegan Paul, 1985).

Intergenerational sex and consent

If public sex constitutes one area of moral anxiety, another, greater, one, exists around intergenerational sex. Since at least the eighteenth century children’s sexuality has been conventionally defined as a taboo area, as childhood began to be more sharply demarcated as an age of innocence and purity to be guarded at all costs from adult corruption. Masturbation in particular became a major topic of moral anxiety, offering the curious spectacle of youthful sex being both denied and described, incited and suppressed. ‘Corruption of youth’ is an ancient charge, but it has developed a new resonance over the past couple of centuries. The real curiosity is that while the actuality is of largely adult male exploitation of young girls, often in and around the home, male homosexuals have frequently been seen as the chief corrupters, to the extent that in some rhetoric ‘homosexual’ and ‘child molesters’ are coequal terms. As late as the 1960s progressive texts on homosexuality were still preoccupied with demonstrating that homosexuals were not, by and large, interested in young people, and even in contemporary moral panics about assaults on children it still seems to be homosexual men who are investigated first. As Daniel Tsang has argued, ‘the age taboo is much more a proscription against gay behaviour than against heterosexual behaviour.’ [30] Not surprisingly, given this typical association, homosexuality and intergenerational sex have been intimately linked in the current crisis over sexuality.

Alfred Kinsey was already noting the political pay-off in child-sex panics in the late 1940s. In Britain in the early 1960s Mrs Mary Whitehouse launched her campaigns to clean up TV, the prototype of later evangelical campaigns, on the grounds that children were at risk, and this achieved a strong resonance. Anita Bryant’s anti-gay campaign in Florida from 1976 was not accidentally called ‘Save Our Children, Inc.’. Since these pioneering efforts a series of moral panics have swept countries such as the USA, Canada, Britain and France, leading to police harassment of organisations, attacks on publications, arrests of prominent activists, show trials and imprisonments. [31] Each panic shows the typical profile, with the escalation through various stages of media and moral manipulation until the crisis is magically resolved by some symbolic action. The great ‘kiddie-porn’ panic in 1977 in the USA and Britain led to the enactment of legislation in some 35 American states and in Britain. The guardians of morality may have given up hope of changing adult behaviour, but they have made a sustained effort to protect our young, whether from promiscuous gays, lesbian parents or perverse pornographers. [32]

From the point of view of moral absolutism intergenerational sex poses no problem of interpretation. It is wrong because it breaches the innocence necessary for mature development. The English philosopher, Roger Scruton, suggested that we are disgusted by it ‘because we subscribe, in our hearts, to the value of innocence’. Prolonged innocence is the prerequisite to total surrender in adult love. Erotic love, he argues, arises from modesty, restraint and chastity. This means ‘we must not only foster those necessary virtues, but also silence those who teach the language which demeans them.’ [33] So ‘intolerance’ is not only understandable but virtually necessary—there are no liberal concessions here.

Liberals and radicals on the other hand have found it more difficult to confront the subject. It does not easily fit into the rhetoric of rights—whose rights, and how are they to be expressed: the child’s, the adult’s? Nor can it be dealt with straightforwardly by the idea of consent. Kinsey argued that in a sense this was a non issue: there was no reason, except our exaggerated fear of sexuality, why a child should be disturbed at seeing the genitalia of others, or at being played with, and it was more likely to be adult reactions that upset the child than the sexual activity itself. [34] This has been echoed by the advocates of intergenerational sex themselves. David Thorstad of the North American Man-Boy Love Association (NAMBLA) argued that ‘if it feels good, and the boy wants it and enjoys it, then I fail to see why anyone besides the two persons involved should care.’ Tom O’Carroll, whose Paedophilia: The Radical Case is the most sustained advocacy of the subject, suggested that:

The usual mistake is to believe that sexual activity, especially for children, is so alarming and dangerous that participants need to have an absolute, total awareness of every conceivable ramification of taking part before they can be said to consent…there is no need whatever for a child to know ‘the consequences’ of engaging in harmless sex play, simply because it is exactly that: harmless. [35]

There are two powerful arguments against this. The first, put forward by many feminists, is that young people, especially young girls, do need protection from adult men in an exploitative and patriarchal society, whatever the utopian possibilities that might exist in a different society. The age of consent laws currently in operation may have degrees of absurdity about them (they vary from state to state, country to country, they differentially apply to girls and boys, and they are only selectively operated) but at least they provide a bottom line in the acceptance of appropriate behaviour. This suggests that the real debate should be about the appropriate minimum age for sex rather than doing away with the concept of consent altogether. [36] Secondly, there is the difficult and intricate problem of subjective meaning. The adult is fully aware of the sexual connotations of his actions because he (and it is usually he) lives in a world of heavily sexualised symbols and language. The young person does not. In a recent study of twenty-five boys engaged in homosexual paedophile relations the author, Theo Sandfort, found that ‘Potentially provocative acts which children make are not necessarily consciously intended to be sexual and are only interpreted by the older persons as having a sexual element.’ [37] This indicates an inherent and inevitable structural imbalance in awareness of the situation. Against this, it might be argued that it is only the exalted cultural emphasis we place on sex that makes this an issue. That is undoubtedly true, but it does not remove the fact of that ascribed importance. We cannot unilaterally escape the grid of meaning that envelops us.

This is tactily accepted by paedophile activists themselves who have found it necessary to adopt one or other (and sometimes both) of two types of legitimation. The first, the ‘Greek love’, legitimation basically argues for the pedagogic value of adult-child relations, between males. It suggests—relying on a mythologised version of ancient Greek practices—that in the passage from childhood dependence to adult responsibilities the guidance, sexual and moral, of a caring man is invaluable. This position is obviously paternalistic and is also often antihomosexual; for it is not the gay nature of the relationship that is stressed, but the age divide and the usefulness of the experience for later heterosexual adjustment. The second legitimation relies on the facts of childhood sexuality. O’Carroll carefully assesses the evidence for the existence of childhood sex to argue for the oppressiveness of its denial. [38] But of course an ‘is’ does not necessarily make an ‘ought’, nor does the acceptance of childhood sex play inevitably mean the toleration of adult-child relations.

It is difficult to confront the issue rationally because of the series of myths that shroud the topic. But all the available evidence suggests that the stereotypes of intergenerational sex obscure a complex reality. [39] The adult is usually seen as ‘a dirty old man’, typically ‘a stranger’ to the assaulted child, as ‘sick’ or an ‘inhuman monster’. Little of this seems to be true, at least of those we might describe as the political paedophile. He is scarcely an ‘old man’ (the membership of the English Paedophile Information Exchange, PIE, varied in age from 20 to over 60, with most clustered between 35 and 40); he is more likely to be a professional person than the average member of the population (only 14 per cent of PIE members were blue collar workers); he is more often than not a friend or relation of the child; and to outward appearances is not a ‘special type of person’ but an apparently healthy and ordinary member of the community. His chief distinguishing characteristic is an intense, but often highly affectionate and even excessively sentimental, regard for young people. [40]

The sexual involvement itself is typically seen as being an assault on extremely young, usually pre-pubertal, people. The members of PIE, which generally is preoccupied with relations with pre-pubertal children, seem chiefly interested in boys between 12 and 14, though heterosexual paedophiles tended to be interested in girls between 8 and 10. This is less startling than the stereotype of babies barely out of the cradle being assaulted but poses nevertheless difficult questions about where protection and care ends and exploitation begins. Most members of NAMBLA, on the other hand, which has attracted obloquy in the USA as great as PIE has attracted in Britain, have a quite different profile. They appear to be chiefly interested in boys between 14 and 19. As Tom Reeves, a prominent spokesman for man/boy love, has put it:

My own sexuality is as little concerned with children, however, as it is with women. It is self-consciously homosexual, but it is directed at boys at that time in their lives when they cease to be children yet refuse to be men. [41]

Self-identified ‘boy-lovers’ like Reeves scarcely fit into any conceivable picture of a ‘child molester’. They carefully distinguish their own practices from sex between men and girls which ‘seems to be a reprehensible form of power tripping as it has been reported by women’; and stress the beneficial aspects for adult and young partners of the sexual relationship.

When the official age of consent in France is 15 for boys and girls in heterosexual and homosexual relations (compared to 16 for girls in Britain, and 21 for male homosexuals), and when in the 1890s Krafft-Ebing fixed on 14 for the dividing line between sexually mature and immature individuals, [42] the fear that NAMBLA is attempting a corruption of young people seems excessive.

The young people themselves are typically seen as innocent victims. Certainly, many children are cruelly assaulted by adults, but in relations involving self-identified paedophiles or ‘boy lovers’ there seems to be no evidence of either cruelty or violence. Sandfort found that in his sample the boys overwhelmingly experienced their sexual activities as positive. The most common evaluative terms used were ‘nice’, ‘happy’, ‘free’, ‘safe’, ‘satisfied’, and even ‘proud’ and ‘strong’; and only minimally were negative terms such as ‘angry’, ‘sad’, ‘lonely’ used. Even when these negative terms were used, it was largely because of the secrecy often necessary and the knowledge of hostile norms and reactions, not because of the sexual contact itself. [43] There is strong evidence that the trauma of public exposure and of parental and police involvement is often greater than the trauma of the sex itself. Moreover, many adult-child relations are initiated by the young person himself. A young member of NAMBLA was asked ‘You can be desperate for sex at 13?’ He replied, ‘Oh yes’. [44] Force seems to be very rare in such relations, and there is little evidence amongst self-declared paedophiles or ‘boy lovers’ of conscious exploitation of young people.

All this suggests that intergenerational sex is not a unitary category. Brian Taylor has distinguished eight possible categories which pinpoints the existence of ‘paedophilias’ rather than a single ‘paedophilia’. There are the conventional distinctions between ‘paedophiles’ (generally those interested in prepubertal sex partners), ‘pederasts’ (those interested in boys) and ‘ephobophiles’ (those interested in adolescents). But distinctions can also be made on gender of the older person or the younger person and along lines of homosexuality and heterosexuality. This variety suggests we need to be equally discrete in our responses. [45] There are three continuums of behaviour and attitude which interweave haphazardly. Firstly, there is a continuum of beliefs and attitudes, from the actual violent assaulter at one end to the political paedophile at the other. These can not readily be put in the same class for approval or disapproval. Most people brought before the courts for child abuse are heterosexual men who usually view their girl victims as substitutes for real women. Most activists who court publicity (and risk imprisonment themselves, as happened to Tom O’Carroll of PIE in 1981) have adopted a political identity, which sometimes does not coincide with their actual sexual desires (both NAMBLA and PIE had members interested in older teenagers) but is built around an exaggerated respect for children. [46] It is not obvious that all people involved in intergenerational sex should be treated in the same way by the law or public opinion if intentions or desires are very distinct.

A second continuum is of sexual practices. Some researchers have found coitus rare. It seems that the great majority of heterosexual paedophilia consists of ‘sex play’, such as looking, showing and fondling, and much homosexual involvement seems to be similar. Tom O’Carroll has suggested that these sexual distinctions should be codified, so that intercourse would be prohibited before a certain minimum age of twelve. [47] But bisecting these nuances, problematical in themselves, are two other crucial distinctions, between boy partners and girl, and between heterosexual and homosexual relations. There is a strong case for arguing that it is not the sex act in itself which needs to be evaluated, but its context. It is difficult to avoid the justice of the feminist argument that in our culture it is going to be very difficult for a relationship between a heterosexual man and a young girl to be anything but exploitative and threatening, whatever the sexual activity. It is the power asymmetry that has effect. There is still a power imbalance between an adult man and a young boy but it does not carry the socio-sexual implications that a heterosexual relation inevitably does. Should these different types of relation carry the same condemnation?

The third continuum covers the age of the young people involved. There is obviously a qualitative difference between a 3-year-old partner and a 14-year-old and it is difficult to see how any sexual order could ever ignore this (even the PIE proposals, which first sparked off the panic about paedophile cradle snatching in Britain, actually proposed a set of protections for very young children). ‘Sex before eight, or it’s too late’, the reputed slogan of the American René Guyon Society, founded in 1962 to promote intergenerational sex, is not likely to inspire widespread support, because it imposes sex as an imperative just as now our moral guardians would impose innocence. There is a strong case for finding non-legal means of protecting young children, as Tom O’Carroll has suggested, because it is clear that the law has a damaging and stigmatising impact. [48] But protection of the very young from unwanted attentions will always be necessary. The difficult question is when does protection become stifling paternalism and ‘adult oppression’. Puberty is one obvious landmark, but the difficulty of simply adopting this as a dividing point is that physiological change does not necessarily coincide with social or subjective changes. It is here that it is inescapably necessary to shift focus, to explore the meanings of the sex play for the young people involved.

Kate Millett has powerfully underlined the difficulties of intergenerational sex when adult/child relations are irreducibly exploitative, and pointed to the problems of a paedophile movement which is arguing for the rights of adults. What is our freedom fight about? she asks. ‘Is it about the liberation of children or just having sex with them?’ [49] If a progressive sexual politics is fundamentally concerned with sexual self-determination then it becomes impossible to ignore the evolving self-awareness of the child. That means discouraging the unwelcome imposition of adult meanings and needs on the child, not simply because they are sexual but because they are external and adult. On the other hand, it does mean providing young people with full access to the means of sexual knowledge and protection as it becomes appropriate. There is no magic age for this ‘appropriateness’. Each young person will have their own rhythms, needs and time scale. But the starting point can only be the belief that sex in itself is not an evil or dirty experience. It is not sex that is dangerous but the social relations which shape it. In this context the idea of consent takes on a new meaning. There is a tension in consent theory between the political conservatism of most of its adherents, and the radical voluntarism implicit in it. 50 For the idea of consent ultimately challenges all authority in the name of free self-determination. Certain categories of people have always been deemed incapable of full consent or of refusing ‘consent’—women in marriage, certain children, especially girls, under a certain age, classes of women in rape cases. By extending the idea of consent beyond the narrow limits currently employed in minimum age or age of consent legislation, by making it a positive concept rather than simply a negatively protective or gender-dichotomised one, it may become possible to realize that radical potential again. That would transform the debate about intergenerational sex, shifting the focus away from sex in itself to the forms of power in which it is enmeshed, and the limits these inscribe for the free play of consent. (pp. 223-231)

29. See, for example, Daniel Tsang, ‘Struggling Against Racism’ in Tsang (ed.), The Age Taboo, pp. 161-2.
30. Ibid., p. 8. There are plentiful examples of the automatic association made between male homosexuality and child molesting. In the year I write this, 1983, there has been a rich crop of them in Britain, with the low point being reached in the Brighton rape case, August 1983, where a deplorable assault on a young boy led to a rapacious press attack on the local gay community and legal action against members of the Paedophile Information Exchange, who were in no way connected with the case. The moral panic had found its victims; calm was restored; but the three men who actually assaulted the child were never found.
31. Kinsey et al., Sexual Behavior in the Human Female, p. 117, note 16; Mary Whitehouse, Cleaning-up TV. From Protest to Participation, London, Blandford Press, 1967, and A Most Dangerous Woman?, Tring, Herts, Lion Publishing, 1982; Anita Bryant, The Anita Bryant Story. For general commentaries on events see the articles in Tsang, The Age Taboo; Altman, The Homosexualization of America, pp. 198ff; Mitzel, The Boston Sex Scandal, Boston, Glad Day Books, 1980; Tom O’Carroll, Paedophilia: The Radical Case, London, Peter Owen, 1980, ch. 12; Ken Plummer, ‘Images of Paedophilia’ in M. Cook and G.D. Wilson (eds), Love and Attraction: An International Conference, Oxford, Pergamon, 1979; Major events included the Revere ‘Sex Scandal’ in Boston, the raid on Body Politic following its publication of the article ‘Men Loving Boys Loving Men’ in Dec. 1977; the ‘kiddie porn’ panic of 1977; the trial of Tom O’Carroll and others in England for conspiracy to corrupt public morals in 1981.
32. Pat Califia, ‘The Age of Consent; An Issue and its Effects on the Gay Movement’, The Advocate, 30 October 1980, p. 17. See also Florence Rush, ‘Child Pornography’ in Lederer (ed.), Take Back the Night, pp. 71-81; Illinois Legislative Investigating Commission, Sexual Exploitation of Children, Chicago, The Commission, 1980 (see further references in Tsang, op. cit., pp. 169-70); and on similar events in Britain Whitehouse, A Most Dangerous Woman?, ch. 13, ‘Kiddie Porn’, pp. 146ff.
33. Roger Scruton, The Times (London), 13 September 1983.
34. Kinsey et al., Sexual Behavior in the Human Female, p. 121.
35. Interview by Guy Hocquenghem with David Thorstad in Semiotext(e) Special: Large Type Series: Loving Boys, Summer 1980, p. 34; Tom O’Carroll, Paedophilia, p. 153.
36. See, for example, ‘“Lesbians Rising” Editors Speak Out’ in Tsang, op. cit., pp. 125-32; Stevi Jackson, Childhood and Sexuality, Oxford, Basil Blackwell, 1982, ch. 9. See also, Elizabeth Wilson’s comments on the debate about proposals to lower the age of consent in England in What is to be Done about Violence against Women? p. 205.
37. Theo Sandfort, The Sexual Aspects of Paedophile Relations: The Experience of Twenty-Five Boys, Amsterdam, Pan/Spartacus, 1982, p. 81.
38. Kenneth Plummer, ‘The Paedophile’s Progress’ in Brian Taylor (ed.), Perspectives on Paedophilia. See J.Z. Eglinton, Greek Love, London, Neville Spearman, 1971 for a classic statement of the first legitimation, and O’Carroll, Paedophilia, especially chs 2 and 5 for the second.
39. For an overview of these stereotypes (and the facts which rebut them) to which I am very much indebted, see Plummer, ‘Images of Paedophilia’.
40. Glenn D. Wilson and David N. Cox, The Child-Lovers. A Study of Paedophiles in Society, London and Boston, Peter Owen, 1983; Peter Righton, ch. 2: ‘The Adult’ in Taylor, Perspectives in Paedophilia; Parker Rossman, Sexual Experiences between Men and Boys, London, Maurice Temple Smith, 1976.
41. Tom Reeves, ‘Loving Boys’ in Tsang, op. cit., p. 27; the age range given on p. 29. On PIE members’ interests see Cox and Wilson, op. cit., ch. II.
42. Krafft-Ebing, Psychopathia Sexualis, p. 552: ‘By violation of sexually immature individuals, the jurist understands all the possible immoral acts with persons under fourteen years of age that are not comprehended in the term “rape”.’
43. On paedophilia as abuse see Florence Rush, The Best Kept Secret: Sexual Abuse of Children, Englewood Cliffs, N.J., Prentice-Hall, 1980; Robert L. Geiser, Hidden Victims: The Sexual Abuse of Children, Boston, Beacon Press, 1979. For alternative opinions: Sandford, op. cit., pp. 49ff; cf. Morris Fraser, ch. 3, ‘The Child’ and Graham E. Powell and A.J. Chalkley, ch. 4, ‘The Effects of paedophile attention on the child’ in Taylor (ed.), Perspectives on Paedophilia.
44. See interview with the then 15-year-old Mark Moffat in Semiotext(e), loc. cit, p. 10; cf. Tom Reeves’s account of being cruised by two 14-year-olds in Tsang, op. cit., p. 30; and O’Carroll, ch. 4, ‘Paedophilia in Action’ in Paedophilia.
45. Taylor (ed.), Perspectives on Paedophilia, ‘Introduction’, p. xiii. In the rest of the discussion I shall, however use the term ‘paedophile’ to cover all categories as this is the phrase adopted most widely as a political description: ‘Boy lover’ is specific, but exclusive.
46. On offences see P.H. Gebhard, J.H. Gagnon, W.B. Pomeroy and C.V. Christenson, Sex Offenders, New York, Harper & Row, 1965; J. Gagnon, ‘Female child victims of sex offences’, Social Problems, no. 13, 1965, pp. 116-92. On identity questions see Plummer, ‘The paedophile’s progress’.
47. O’Carroll, Paedophilia, pp. 120, 118.
48. Ibid., ch. 6, ‘Towards more Sensible Laws’, which examines various proposals, from Israel to Holland, for minimising the harmful intervention of the law; compare Speijer Committee, The Speijer Report, advice to the Netherlands Council of Health concerning homosexual relations with minors, English Translation, London, Sexual Law Reform Society, n.d.
49. Interview with Kate Millett by Mark Blasius in Semiotext(e) Special, loc. cit, p. 38 (also printed in Tsang (ed.), op. cit.).
50. Carole Pateman, ‘Women and Consent’, Political Theory, vol. 8, no. 2, May 1980, pp. 149-68.



Jeffrey Weeks, Sexuality, third edition (London & New York: Routledge, 2010; first edition 1986)

4. The limits of consent: paedophilia
The power relations that sex can involve are most dramatically illustrated by the question of sex between the generations, or paedophilia. Few topics arouse such fear and anxiety in contemporary societies. The ‘paedophile’ has become a symbol of predatory evil, a synonym indeed not only for child abuser but also in many cases for child abductor and even murderer. The peculiar horror invoked by the abuse of innocence, by the imposition of adult desires on the vulnerable, powerless child, speaks for a culture that is profoundly anxious about the boundaries and differences between adults and children, and has become increasingly concerned with protecting the young as long as possible. Yet this has not always been the case.

In the late nineteenth century paedophilia was lauded by some for its pedagogic possibilities – the so-called Greek love justification: in the passage from childhood dependence to adult responsibility, guidance, sexual and moral, of a caring man can be invaluable, it was argued. It was further legitimated in the twentieth century by the supposed facts of childhood sexuality: sexology itself has revealed the wide extent of childhood sexual potentiality including the existence of infantile masturbation. If something is so natural, and omnipresent, should it be as rigidly controlled as childhood sexuality is today? And again, if it is natural, then surely it cannot be harmful even if it takes place with adults. As Tom O’Carroll, a militant supporter of inter-generational sex (who ended up in prison for his pains) wrote ‘. . . there is no need whatever for a child to know “the consequences” of engaging in harmless sex play, simply because it is exactly that: harmless’. [6]

For the vast majority of the population this is not harmless play, it is simply child sex abuse. It involves powerful adults using their experience and wiles to gain satisfaction from exploiting children. The growing sensitivity to abuse is the result of long campaigns, often led in Western countries by feminists, or by campaigners who experienced abuse themselves. This has become a global phenomenon, with international campaigns to end the traffic in children and the worst abuses of sex tourism. This without doubt marks an advance in society’s awareness of the reality of exploitation, and the power of adults over children. Yet there is something rather odd in the ways in which various late modern societies, from Australia to Europe to the USA, have focused on the figure of the anonymous paedophile rather than on the hard reality that most abuse of children is carried out by a close relative or family friend, or perhaps by a priest, as a wave of scandals from the UK and Ireland to Australia and the USA has recently underscored. [7]

Despite, or perhaps because of, the emotiveness of the issue, it is important to be as rational and dispassionate as possible in looking at what is involved. Age is an ambiguous marker. Is there an ideal age at which consent becomes free, rather than abusive, and a relationship becomes consensual, rather than coercive? Certainly the vast majority of us could agree that it should not be 3 or 8, but what about 12 or 14 or 15 which are the ages of consent in various European countries? Laws vary enormously, and sometimes affect boys and girls quite differently. Brian Taylor has pointed to the existence of eight possible subcategories of inter-generational sex, depending on the age of those involved, the distinction of gender, the nature of the sexual proclivity, and the interaction of all three (Taylor 1981). This suggests that there are paedophilias, not a single paedophilia, and the social response should be sensitive to these distinctions, even as it focuses rightly on protecting the young and vulnerable. (pp. 95-97)

6 O’Carroll (1980: 153). For the various legitimations offered, see the discussion in Plummer (1981).
7 There is an excellent debate on the implications of the early twenty-first century anxiety about paedophilia in Loseke et al. (2003). For feminist perspectives, see Reavey and Warner (2003).



Jeffrey Weeks, The World We Have Won: The Remaking of Erotic and Intimate Life (London & New York: Routledge, 2007)

‘Through stories – of desire and love, of hope and mundane reality, of excitement and disappointment – told to willing listeners in communities of meaning, people imagine and reimagine who and what they are, what they want to become (Plummer 1995 [Plummer, K. (1995) Telling Sexual Stories: Power, Change and Social Worlds, London: Routledge], 2003 [Plummer, K. (2003) Intimate Citizenship: Private Decisions and Public Dialogues, Seattle: University of Washington Press]). Of course, all this does not mean that anything goes. It is noticeable that as some barriers to speaking are removed or redefined new ones are erected. Paedophilia began to speak its name in the 1970s, but has been redefined as child abuse and trebly execrated in the 2000s.’ (p. 10)

‘The age of consent may be an ambiguous barrier for young people themselves but it is a fraught one for many adults, usually men. The age of consent itself is constructed in terms of protection of young girls, and it assumes male agency (Waites 2005a [Waites, M. (2005a) The Age of Consent: Young People, Sexuality and Citizenship, Basingstoke and New York: Palgrave Macmillan]). But the growing awareness of the extent of child sex abuse poses wider questions about the power relations between adults and children (see Reavey and Warner 2003 [Reavey, P. and Warner, S. (eds) (2003) New Feminist Stories of Child Sexual Abuse: Sexual Scripts and Dangerous Dialogues, London and New York, Routledge]; O’Connel Davidson 2005 [O’Connell Davidson, J. (2005) Children in the Global Sex Trade, Cambridge: Polity Press]). The government has responded to widespread anxieties about breach of trust on the part of adults by attempting to write into law notions of protection that should operate in certain types of adult child relationships, such as teaching (Bainham and Brooks-Gordon 2004 [‘Reforming the Law on Sexual offences’, in Brooks-Gordon, B., Gelsthorpe, L., Johnson, M. and Bainham, A. (eds) (2004) Sexuality Repositioned: Diversity and the Law, Oxford, and Portland, OR: Hart Publishing, pp. 291-296]; Epstein et al. 2004 [Epstein, D., Johnson, R. and Steinberg. D.L. (2004) ‘Thrice Told Tales: Modernising Sexualities in the Age of Consent’ in Steinberg, D.L. and Johnson, R. (eds) (2004) Blairism and the War of Persuasion: Labour’s Passive Revolution, London: Lawrence & Wishart, pp. 96-113). These have the habit of all attempts at redrawing boundaries of becoming fiery touchstone issues, as the Secretary of State for Education and Skills, Ruth Kelly, found out in early 2006. The discovery by the press that there were teachers in schools who had previously been accused of abusing children threatened to engulf her and end her career, though she could realistically have had very little knowledge of how her civil servants operated the register of offenders (Doward 2006a:8-9; [Doward, J. (2006a), ‘Sex Scandal that Engulfed Kelly’, Observer, 15 January, pp. 8-9] see also Aaronovitch 2006: 21) [Aaronovitch, D. (2006), ‘The Paedophile Panic: Why We Have Reached Half Way to Bonkers Island’, The Times, 12 January, 21] Behaviours which were once regarded as natural and even healthy (childhood nudity, for example) have become fraught with menace, as parents and carers have discovered when their holiday photographs of naked children playing on the beach have been processed, and police summoned.

Many of these anxieties had been brought to the surface following the murder of the 8-year-old Sarah Payne in summer 2000. The News of the World’s campaign, in response to this, of naming and shaming alleged paedophiles, in turn stimulated a local vigilante campaign led by mothers on the Paulsgrove housing estate in Hampshire (Bell 2003: 108-28 [Bell, V. (2003), ‘The Vigilantt(e) Parent and the Paedophile: The News of the World Campaign 2000 and the Contemporary Governmentality of Child Sex Abuse’’, in Reavey and Warner 2003, pp. 108-28]). This raised in turn a number of crucial issues: the role of the press in stirring up moral panic, the role of class in configuring the response to the working-class mothers’ action, the role of women in confronting an alleged lack of communication from the state, and the role of the state itself in responding to acute anxiety, ignorance and fear. But as important was the shift in the perception of sexual risk and the management of risk that was taking place. As Rose (1999: 206) [Rose, N. (1999), Governing the Soul: The Shaping of the Private Self (2nd edn), London and New York: Free Associations Books] points out, outrage at the neglect of abuse emerged most strongly from the very group in society that was once deemed most likely to abuse children – the working class itself. And in practice, of course, the vast majority of cases of abuse take place within families or are by someone known to the child. Yet the anger focused on the dangerous stranger, the paedophile, bearer of a particular psychopathology and history, completely detached from the family. A similar process has been at work in relation to so-called paedophile priests in the Roman Catholic Church. A scandal that the church had long hidden, it raised crucial questions about the religious calling, church discipline, priestly celibacy and simple trust. Yet in the church’s eyes it became less about abuse than about Catholic attitudes towards homosexuality, gay priests and the like. When in 2006 a new Pope sought to ban gays from taking up the priesthood, it was widely seen as a response to the paedophile scandal (Loseka 2003: 13 [‘”We hold these Truths to be Self-evident”: Problems in Pondering the Paedophile Priest problem’, Sexualities 6 (1), February, 6-14]). Anxiety has become individualized, thus expunging the most dangerous sites for the production of abuse, the home, the local community, and it appears the Catholic church, from the story. (pp. 153-154)


The Scotsman
, March 25th, 1988
Alastair Dalton, ‘Brand loses job fight over views on child sex’

THE controversial academic Chris Brand, sacked by Edinburgh University for promoting his views on paedophilia, yesterday lost his appeal against his dismissal.

The independent QC asked by the university to hear the appeal agreed that the psychology lecturer’s behaviour had amounted to gross misconduct and ruled that his dismissal could not be said to have been improper or inappropriate.

Mr Brand, 54, last night described the university’s actions as “treacherous”, but refused to say whether he planned to take his case to an industrial tribunal or the courts.

He was dismissed for gross misconduct last August by the university principal, Professor Sir Stewart Sutherland, after he published on the Internet his view that consensual sex between adults and children was acceptable as long as the child was intelligent.

Mr Brand had previously caused a storm after his 1996 book, The g Factor, claimed there was genetic proof black people had lower IQs than white people. It prompted students to disrupt his lectures and the book was withdrawn by the publisher. The university found no grounds for disciplinary action against him then, although the principal described his views as “obnoxious”.

Gordon Coutts, QC, who conducted Mr Brand’s two-day appeal hearing last week, stated : “The appeal fails. I reject all the revised amended grounds of appeal. I find that the appeal does not raise any question of academic freedom.”

He added: “In pursuit of his objectives, he (Mr Brand) set out to promote controversy. In that he succeeded but cannot now complain if the effect of his behaviour has been to render his continued employment by the university impossible.

“The principal of the university did not dismiss him for views he held; he was dismissed because it was established that his behaviour made it impossible for him to work within a university department.”
Sir Stewart said yesterday he was “naturally content” that “an independent legal expert has endorsed in the clearest possible terms” the findings of the university’s disciplinary tribunal and his subsequent decision to sack Mr Brand.

He said: “I would repeat that it is for aspects of his conduct, not his opinions, that Mr Brand has been dismissed. Mr Brand has again, in recent months, been reported in the press as alleging this process was an attack on academic freedom, though this was not argued by his counsel at the appeal hearing. It has not and never has been such an attack, as independently confirmed by the appeal decision.

“Neither I nor my colleagues at this university have sought in any way to censor Mr Brand’s researched conclusions, on ethnic background and intelligence, for example.

“But it was made clear to him, well before he publicised views on paedophilia, that he also had responsibilities to act with care, whether in a departmental, teaching or wider situation – advice which he apparently chose to ignore.”

Mr Brand condemned the university. He said: “Their behaviour has been shameful.

They have been treacherous to their own academic staff and a disgrace to academia.”

Mr Brand, a former prison service psychologist, had stated on his web site: “Academic studies and my own experience as a choirboy suggest that non-violent paedophilia with a consenting partner over 12 does no harm so long as the paedophiles and their partners are of above-average intelligence and educational level.”

He was suspended in November 1996 and a three-member disciplinary tribunal was appointed the following April to consider the charges against him.

The tribunal ruled that Mr Brand had compromised his position, and his teaching had fallen below the standards expected of him. It further ruled that the university’s reputation had not been damaged by Mr Brand’s publications on the Internet, but a disciplinary offence had been committed.

Mr Brand, a London-born father of three, had been at Edinburgh University since 1970.

Last night Nicola Owen, convener of the Anti-Nazi League Society at Edinburgh University, said: “It’s wonderful news.

It vindicates all the students who fought to get Mr Brand removed from the university.”


A few thoughts following the Scottish referendum

1. Scotland made the right decision.

2. Labour under Ed Miliband is looking considerably weaker than before the referendum. Cameron probably ended up being a more persuasive advocate for the union than Miliband. Miliband has neither a ‘heartland’, a community who would identify with him, as did Wilson, Callaghan, Smith and Brown, nor the personality to build a wider English following, as did Blair. I do believe Sadiq Khan or Tom Watson (who has written an interesting response to the referendum) would make stronger leaders (if they would want the position).

3. Never have the Liberal Democrats looked more insignificant, despite the fact that they are the second largest party at Westminster representing Scottish seats.

4. Two people to have come out reasonably well from the campaign, and who have been underestimated, are Gordon Brown and George Galloway. Brown should attempt a come-back as First Minister of Scotland, and more widely his legacy should be re-assessed.

5. ‘Scottish workers have more in common with London dockers, Durham miners & Sheffield engineers than they have with Scottish barons & landlords’ – Scottish miners’ leader Mick McGahey in 1968 on Scottish separatism vs working class solidarity (as quoted = by Ken Livingstone).

6. I don’t see why the unemployed and those on low pay in devastated communities in the North of England – or in inner city London – are any less worthy of special treatment than the Scots. Trying to divide these communities on grounds of ‘nation’, as Salmond + co do, is cynical and pathetic.

7. The whole devo max package was a last minute panicked reaction to one poll showing the ‘Yes’ camp in the lead. Major legislation like this should not be rushed through without all the consequences being considered. This will now utterly dominate the legislative agenda up until the election, and will have a major effect upon the election itself.

8. The West Lothian question will not go away, nor should it. Labour are burying their heads in the sand over this, retreating to their comfort zone when they need more English votes to win an election. They could trump Cameron by giving a firm commitment to a German-style federal system, which would utterly transform British politics.

9. A new variety of the West Lothian question: why should those in Glasgow be able to be exempt from various aspects of policies determined in Westminster, but those in Newcastle not?

10. The borders between England, Scotland and Wales are pretty meaningless anyhow, as are most nation states. There is however some logic in the whole of Great Britain being a unified entity because of its geographical nature.

11. One of the worst elements of the campaign was the presenting of a Manichean struggle between ‘Scotland’ and ‘London’. London is simply the capital city, where MPs meet. Many Londoners are just as much the victim of successive governments’ policies as those in Scotland. In an independent Scotland, would it be any more fair to attack the people of Edinburgh, because Hollyrood is there? The article linked to earlier by Tom Watson makes much of the chasm between the City of London and Scotland – and the rest of the UK, and how that chasm was allowed to increase during the Thatcher years. But this is about capital and its concentration, not about Londoners in general. Hating people because they happen to come from or live in the most international city in Europe, London (I don’t come from the city originally, but have lived here for 21 years), is the worst type of politics.


Musicological Observations 1: Björn Heile, Lauren Redhead and myself on the relationship between scholarship and new music

I am continually fascinated by the possibilities available to musical scholarship and by interactions between plural musicological methods, but equally disappointed by how few such possibilities are regularly taken up. I hope to blog at more length in the future on some of the dangers inherent within various musicological sub-disciplines – the so-called ‘new musicology’, ‘soft’ ethnomusicology, and some aspects of popular and film music studies in which the music becomes the least important area of study – but on this occasion I just want to offer a few quotations relating to the relationship of scholarship on new music to the practical operation of that field, hopefully as a starting point for discussion here and elsewhere.

The first is by Björn Heile, Reader in Music at the University of Glasgow and best-known for his work on the music of Mauricio Kagel. This is the opening of a key-note lecture (reproduced with permission) entitled ‘‘Un pezzo … di una grandissima serietà e con una grandissima emozione … e con elementi totalmente bruti’: aesthetic and socio-political considerations and the failure of their integration in Mauricio Kagel’s work post-1968’, given at the conference ‘Faire “de la musique absolue avec la scène”: Mauricio Kagel’, University of Nice, 24-25 April 2014 (held on 25 April).

Scholarship on new music typically suffers from its lack of critical perspective. PhD theses are written, articles and books published and whole careers made on the basis of work that does little more than trace the stated intentions of the composer in question in their work. The process could be described as bargain basement hermeneutics: study the composer’s so-called influences, his or her own pronouncements and look at the work with these things in mind – something will no doubt be found. As a result, the scholar becomes the composer’s spokesperson, dutifully explaining how the master would want their work to be understood – which, evidently, is the only way of correctly interpreting it. There are many reasons for the predominance of this approach. New music scholars are often dependent on the goodwill of their subjects: one critical remark and you may find yourself frozen out from access to the person, their work and other materials, and from speaking and writing engagements – there are a number of (in)famous examples. Furthermore, the new music business is a tight network in which composers, musicians, institutions, broadcasters, publishers, record companies, journalists and scholars cooperate in often murky ways. There is a fine line between scholarship and PR, and some so-called journals are more akin to trade magazines. Finally, the tried-and-tested method delivers results with ease: it’s relatively simple to fill any space needed with material that will appear informative and well-founded; no-one is likely to complain. It would be unfair to pick out individual examples for what is a widespread problem. That said, Charles Wilson has analysed the literature on Ligeti with respect to what he calls Ligeti’s ‘rhetoric of autonomy’, by means of which the composer sought to overstate his artistic independence, as a way of positioning himself in the compositional marketplace. As Wilson (2004, 6) argues, ‘composers’ self-representations often serve a function that is as much performative as constative. They are “position takings”, to use Bourdieu’s expression, and their assimilation by scholars as straightforward claims to truth often bespeaks a fundamental category mistake.’ He quotes numerous cases in which Ligeti’s exegetes dutifully adopted the composer’s own terms, criteria and outlook, so that their commentaries are little more than summaries of the composer’s own pronouncements. Ligeti’s is hardly a special case: Messiaen’s Catholicism, Nono’s Marxism, Cage’s Zen-Buddhism, Cardew’s Maoism, Lachenmann’s ‘refusal of habit’ – time and again one finds scholars piously repeating or paraphrasing lofty assertions, instead of subjecting them to rigorous critical scrutiny. And – you probably saw this coming – I am not at all sure whether the literature on Kagel represents an exception to the rule. Nor is it my intention to accuse you while exonerating myself. Although I have long been aware of the problem and have sought to avoid it, I am not sure that I have always succeeded. I have to confess that while I was writing The Music of Mauricio Kagel the thought that Kagel would read the book crossed my mind more than once, and I had already found out how touchy he could be. I’d like to say that I remained steadfast, but I could be deluding myself.

Back in 2011, composer and musicologist Lauren Redhead, Lecturer at Canterbury Christ Church University, published an article on her blog following a symposium at the Institute of Musical Research on the music of Brian Ferneyhough, at which the composer was present. This presents a situation self-evidently not an issue for historical musicologists dealing with dead musicians. Whilst unable to hear the academic papers, Redhead made the following important observation (which, having seen some of the papers and other work by the participants, I believe is backed up by the results):

The Ferneyhough day was the latest in a line of academic events which I notice are celebrating authors who are still alive. My initial problem with these events is that it seems healthy debate, critique, and innovative perspectives are hardly likely to be encouraged when the composer or thinker is involved, acting as an authority and essentially vetting the speakers before they are let loose on the audience.

As one who wears two hats, both as performer and musicologist, it is rare for these issues to be far from my own mind. My own earlier writing on the music of Michael Finnissy, as collected in the volume Uncommon Ground, I now consider hagiographic and of little other than documentary value; hopefully in my more recent monograph on Finnissy’s The History of Photography in Sound a greater degree of critical distance has been established, but (as Heile found with Kagel) it is hard to escape the inevitable thoughts of what the subject themselves will make of it, especially in the context of a starkly hierarchical new music world in which composers’ decrees and intentions are frequently assigned an ontological priority. Recently, I have been undertaking my own comparative examination of scholarly and other writing on the music of Ferneyhough (to be published on the Search online music magazine; also a review-article on a new Ferneyhough monograph will appear in Music and Letters), and have found hagiography, unreflected employment of both intentional and poietic fallacies, and simple hero worship to be rife, in the manner diagnosed by Redhead above. I blogged about this subject a little over a year ago, arriving at what I believe were similar conclusions to Heile, and wanted to offer a few quotes from this here alongside the others:

When considering historical composers, there are many obvious ways in which listeners may also approach the music in question in ways very different from those of the composers (or others from the time). One does not have to be a strict Lutheran to appreciate Bach, nor necessarily accept some of the theological motivations proffered for some of the musical decisions. An atheist would believe these were a delusion or at least a fiction, and might consider them as the expression of some wider human issues. A similar situation can apply to the tropes of heroism which inform some of Beethoven’s mid-period work (and a good deal of subsequent reception), or more ominously the anti-semitic views expressed by Wagner in his 1850 article ‘Das Judenthum in der Musik’; much work has been done considering the question of the extent to which these views, and other common anti-semitic views of the time, might have informed some of the characterisations in his music-dramas, and been understood as such by audiences of the time. If one concludes that this might indeed have been the case, this does not require automatic rejection of the work, but can facilitate an engagement with the music-dramas not simply as art works existing outside of time and place, but ones which reflect a particular set of ideologies of the time, held by the composer, which a reasonable person would today reject without necessarily rejecting all cultural work which sprang up in a context where they were indeed acceptable. Similar positions are possible with respect to representations of women, of characters from outside of the Western world, in musical works involving theatre or text; on a deeper level it is also possible to consider the ways in which abstract instrumental music might itself have grown out of texted/stage work and inherited some of the oppositions between musical materials (especially as had become codified to represent masculine and feminine characters) which were intrinsic to the latter. In all of these cases, the approach of the writer or listener amounts to something different from simply reiterating the composer’s intentions and wishes, or at least applying a different set of valorising standards to them. When applied with sufficient care for proper and balanced investigation of factual evidence (with proper referencing), rigour and transparency of argument, and elegance of presentation, not to mention some commitment to producing an argument which does more than simply reiterate that of numerous previous writers, this constitutes one variety of critical musicology. Not all or even most such work need arrive at negative conclusions, and some might affirm existing perceptions, but it does so as a result of serious consideration of alternative possibilities, rather than simply declaring them off-limits from the outset. [….] But the situation is more contested in the field of contemporary classical music. This is itself a field in which many practitioners feel themselves to be marginalised, with very little music of an atonal nature having won any degree of widespread public acceptance (even to the extent of that of composers such as Stravinsky, Britten or Shostakovich). Yet there are musicological critiques of some of this body of work emerging from people other than conservative classical music listeners. A body of work by various scholars associated with the ‘new musicology’ has contested the claims for primacy of various avant-garde music, drawing attention to what is argued to be its elitism, individualism (maintaining a nineteenth-century focus upon the ‘great composer’), abstraction and consequent social disengagement, white male middle-class bias, and artificial institutionalisation (including institutionalisation in higher education) despite its being a small minority interest. This latter point is extremely charged considering that some such musicologists inhabit university departments which they will share with some of the practitioners said to benefit from such institutional privilege.

I would welcome any comments and reflections on the thoughts by the three authors here. Is this situation inevitable? Are there any things which can be done to combat it (for example, lesser tolerance within scholarly communities towards hagiographic or deferential so-called scholarship)? Is this situation likely to be exacerbated by a scholarly environment, like that in the UK, which lends primacy to that work which has an ‘impact’ outside of an academic environment, and does achieving such impact require playing along with the politics of (and fragile egos within) a professional new music world in which critical scholarly perspective is far from being a top priority? Is the only route to one’s work gaining a wider audience and impact by serving a system of institutionalised prestige, or might impact be achievable in other environments as well? How can those involved in both scholarship and practitioners reconcile their two worlds, if indeed they can?


Benjamin Britten and Peter Righton – A Response from the Britten-Pears Foundation

Following my article from May 11th, 2014 relating to the mention of Benjamin Britten and Peter Pears in the diaries of Peter Righton, I received the following communication by e-mail on September 2nd, 2014 from Kevin Gosling, Director of Communications for the Britten-Pears Foundation, which I am reproducing here with permission.


Dear Mr Pace

Responding to your call for anyone with information about potential links between Peter Righton, Britten and Pears to contact you, we have been looking into the correspondence files and diaries we hold here at The Red House. As you may know, our archive is open to anyone wanting to carry out research. Our search found no letters to or from Peter Righton among Britten’s or Pears’ correspondence, nor does a scan through appointment diaries from the early/mid seventies indicate either had any scheduled meetings with him.

The phrase ‘get-togethers at Snape Maltings’ suggests to us that Righton was not part of Britten’s circle; had he been an acquaintance of any significance, he would have been invited to The Red House, where Britten entertained widely. Perhaps Righton just attended receptions at Snape Maltings in the context of going to concerts there? If there are specific dates mentioned in Righton’s diaries, we would be happy to investigate the archive further, as we are as concerned as you to understand the context of these remarks. Alternatively, you would be very welcome to come up here to go through any relevant material yourself.

Sincerely

Kevin Gosling

Kevin Gosling
Director of Communications

Britten–Pears Foundation
01728 451700


The Tragic Magic Circle – Scotlands Shameful Child Sexual Abuse Scandal Continues

cathy fox blog on child abuse

Tales from Scottish Legal La La Land

(update  7 June 2014 Robert was not even handing the leaflets out at the time – he only had them in his  bag)

(last updated 20 April 2014 Roberts health is poor, needs hospital – see end of article)

magic circleStep Forwards without Fear

A man was arrested on Valentines Day and is still in jail on remand in Scotland, with bail having been refused on 3 occasions [99a] . What is it about this softly spoken genteel 68 year old man that has caused the Scottish establishment to arrange his incarceration for the second time?

Why does Alex Salmond continue to break the law, defy the Information Commissioner and refuse to hand over the information that was given to him and the date it was given? [109][110].

What is the connection between this mans imprisonment and the following?
Four Sheriffs and…

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Barbara Kahan and Peter Righton

Absolutely essential reading – clarifies the links between Louis Minster, former director of Social Services at Richmond at the time of the Elm Guest House Scandal, Barbara Kahan, leading figure in the social work profession and at one point Minster’s boss, and Peter Righton, the paedophile who corrupted the whole profession.

Bits of Books, Mostly Biographies

Barbara Kahan pioneered the development of social work in UK with children and families, taking it on as a career from 1948 and its very inception. From the point at which she took her first post at Dudley in 1948  as Children’s Officer where she created its first local authority children’s home to spending 1951 – 1970  building Oxfordshire’s cohesive approach to social services, working closely with her husband an Oxford based child psychiatrist, managing Louis Minster (9 years before he was to become Director of Social Services at Richmond), as County Care Child Officer for Oxfordshire in the mid 1960s to taking opinion from Peter Righton report on Staffordshire’s Pin Down regime in  the 1991 report and championing distance learning education particularly for residential children’s care workers – a special interest of Righton’s.

Due to Kahan’s pioneering role, she is a person around which others have pivoted in their…

View original post 8,663 more words


Two Labour MPs join rock star Townshend in child porn inquiry (13.01.03)

spotlight

The Guardian, 13th January 2003

Guardian130103Thanks to Daniel De Simone for finding this article

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Yefim Golyshev, Arnold Schoenberg, and the Origins of Twelve-Tone Music

Many pages of scholarship have been devoted to the origins of the twelve-tone technique, and whether Arnold Schoenberg can genuinely be considered the originator of the method. Groups of pitches which could be considered akin to twelve-tone rows have been located in various pre-twentieth century music, the most obvious example being the opening of Franz Liszt’s Faust Symphony. But this does not amount to the employment of a technique akin to that of Schoenberg. Since the pioneering research of Detlev Gojowy, it has been established for some time that a series of Russian composers arrived at their own use of twelve-tone complexes prior to Schoenberg. These would include the complexes found in Skryabin’s fragment Acte Préalable (1912), the second of Arthur Lourié’s Deux poemes, op. 8 (1912), the first of Nikolai Roslavets’ Two Compositions (1915), various works of Nicolas Obouhow from 1915 onwards such as Prières (1915) , and Ivan Vyschnegradsky in his La journee de l’existence (1916-17) [1] . These composers generally worked with post-Scriabinesque complexes which were expanded to include all twelve tones of the chromatic scale [2], quite distinct from the technique which Schoenberg would develop in the 1920s [3], and their work remained generally obscure and little-known outside of Russia at this point. Roslavets remained living in the Soviet Union after 1917, whilst Obouhow moved to Paris in 1918, and Lourié moved there in 1924 [4]. Alban Berg had used a harmony featuring all twelve chromatic pitches at the beginning of the third of his Altenberg-Lieder, op. 4 (1912),‘Über die Grenzen des All..’, op. 4, no. 3, then a twelve-note series in no. 5, ‘Hier ist Friede!’, as well as twelve-note themes in the Passacaglia, Act 1, Scene 4 (written before the end of 1919), and the Theme and Variations, Act 3, Scene 1, of Wozzeck (1914-22) [5], and Webern intuitively arrived at a way of organising the individual Sechs Bagatellen, op. 9 (1911) so that as a general rule, the piece would end after all twelve chromatic pitches had sounded, then began his ‘Gleich und Gleich’, op. 12, no. 4 with a statement of the twelve pitches with none repeated [6].

All of these developments demonstrate the extent to which the most radical varieties of chromaticism or pan-tonality were leading towards the establishment of twelve-note complexes (as would Schoenberg in 1914 in Die Jakobsleiter), but none had yet arrived at means for using sets of twelve chromatic notes in the forms of rows to provide fundamental structuring techniques. Three composers who did do this would have a definitive influence upon the future direction of dodecaphonic composition in Germany, each of who have been considered as rival contenders for having written the first twelve-tone work [7]: Yefim Golyshev (1897-1970), through the writings of Herbert Eimert (1897-1972), Josef Matthias Hauer (1883-1959), through the teachings of Hermann Heiß (1897-1966) and of course Arnold Schoenberg (1874-1951) through his own work and the music and teaching of numerous students.

The prodigious Odessa-born Golyshev moved to Berlin in 1909, his family fleeing anti-semitic pogroms [8]. Here he studied at the Stern’schen Konservatorium, and made the acquaintance of Busoni, who encouraged him in his musical work [9]; he may also have heard free atonal works of Schoenberg such as Pierrot Lunaire, which was first performed in the Berlin Choralion-Saal on October 16th, 1912 [10]. Golyshev remained living in the city through until 1933 [11].

In 1914 (by his own account) Golyshev composed a five-movement dodecaphonic string trio (which was published in 1925 by Robert Lienau-Verlag as Zwölftondauer-Musik [12]), and in the same year began a string quartet which was intended for performance at the Gesellschaft für Neue Musik in Cologne in early 1923 [13]. A recording of this work is available here. The trio is structured around symmetrical patterns between movements as regards rhythms (so that the same figures are shared by the first and fifth, and the second and fourth), and uses twelve-note sets, which are clearly numbered in the score. In each section, all twelve notes are used, but not in a fixed order [14] (see below for the opening). Golyshev used a new notation to avoid conventional accidentals (distinct from that developed earlier by Busoni), by which a note with a cross inside the notehead indicates a sharp; others are natural [15].

Golyschev page 1

A recording of the complete work can be heard here.

An orchestral work from 1919, Das eisige Lied, a symphonic poem lasting 75 minutes with songs, orchestral music and visual spectacle, was apparently also dodecaphonic, but is now lost [16]. During the war years Golyshev composed more and became friendly with Busoni, Richard Strauss, and Stravinsky, as well as Walter Gropius and other artists [17].

Golyshev’s father was a friend of Kandinsky’s, and the artist had persuaded inspired Golyshev to begin drawing prior to his move to Germany [18]. By the time of his Sinfonie aggregate, which was given its world premiere by the Berlin Philharmonic on February 21st, 1919 [19], Golyshev had become involved with the Dadaists, alongside Raoul Hausmann and Richard Huelsenbeck, and co-wrote a manifesto calling for a ‘brutal battle’ against ‘expressionism and the neoclassical culture as it is represented by Der Sturm’ [20]; his work featured prominently in the first Dada exhibitions [21]. He presented an Anti-Symphonie (Musikalische Kreisguillotine) as part of these exhibitions in April 1919, and went on to explore new musical instruments [22]; he also subsequently pursued a separate career as a chemist [23]. He would also become a member of the Novembergruppe at some point in the early 1920s, alongside the likes of Stuckenschmidt, Hans Tiessen, Max Butting, Philipp Jarnach, Kurt Weill, Wladimir Vogel, Hanns Eisler, Felix Petryek, Jascha Horenstein, George Antheil, and Stefan Wolpe [24].

One figure who was deeply interested in the work of Golyshev was the composer, critic and later producer at WDR, Herbert Eimert, who published his Atonale Musiklehre[25] in 1924, which Eimert himself claimed to be the first book of its kind in German [26]. This is a work whose highly mathematical tone, almost making a fetish of numerical patterns, differs very deeply from the presentations of Schoenberg in particular. Eimert also composed a twelve-tone string quartet for performance as part of his final examination. His conservative teacher, Franz Bölsche, was appalled by both of these, and intervened to have him expelled from the institution and the quartet removed from the programme [27]. In the Atonale Musiklehre, Eimert adopted Golyshev’s notational device throughout, and listed an unnamed Golyshev work from 1914 as the first example of twelve-tone music, then writing that Hauer had pursued pure atonality the following year [28]. Eimert at some point became a close friend of Golyshev, and owned several of his paintings which were destroyed during the war [29], but when they first met is unclear (likely before 1924), as Eimert’s memories were hazy, according to Helmut Kirchmeyer [30]. Eimert would go on to press the case for Golyshev being the first twelve-tone composer in various later writings [31].

Schoenberg had spent two periods prior to World War One in Berlin, 1902-03, where he had worked in the Überbrettl cabaret and also composed Pelleas, as well as scoring some operettas, and 1911-15, during which period he had written Pierrot Lunaire and also begun the Four Orchestral Songs op. 22, whilst giving some poorly attended lectures at the Stern Conservatory and hostility from the press [32]. Could Schoenberg have met Golyshev in Berlin during this second period, or even known of Golyshev’s piece before he embarked upon his own first proper dodecaphonic composition in July 1921 at the latest? Little of detail is known of Golyshev’s time in Berlin prior to 1918, and I am unaware of any direct or indirect references to Golyshev in Schoenberg’s writings or correspondence from the time [33]. There would have been various events which both might have attended, and they shared mutual friends and acquaintances (such as Busoni) who might have introduced them, but there is no firm evidence. Detlew Gojowy, based on the account of Golyshev’s widow, claims that Golyshev sent the Trio to Schoenberg (though no date is given), but received only a ‘ugly and discouraging’ letter back, with Schoenberg insisting that the twelve-tone technique was his own invention [34]. This would presumably have been after the summer of 1921 (for otherwise Schoenberg would not yet have established the twelve-tone technique) and probably after 1925 (assuming Golyshev sent a copy of the printed score). Thus it looks unlikely that Schoenberg was aware of the Trio before this date, though it is conceivable that a mutual friend or acquaintance might have mentioned it to him; a subject which might warrant further research.

1. See Detlew Gojowy, ‘Frühe Zwölftonmusik in Rußland (1912-1915)’, in Beiträge zur Musikwissenschaft Jg. 32, Heft 1 (1990), pp. 17-24; Hans Oesch, ‘Schönberg und die russischen Avantgardisten um 1920’, in Bericht über den 2. Kongreß der Internationalen Schönberg-Gesellschaft. Die Wiener Schule in der Musikgeschichte des 20. Jahrhunderts, edited Rudolf Stephan and Sigrid Wiesmann (Vienna; Verlag Elisabeth Lafite, 1986), pp. 108-121; and Elena Poldiaeva, Le message de Nicolas Obouhow: Reconstruction d’une biographie, translated from Russian by Michèle Kahn (Paris: editions Van de Velde, 2011), pp. 33-42.

2. For analyses of these processes in non-dodecaphonic contexts in the music of Skryabin and Roslavets, see George Perle, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern, sixth edition (Berkeley & Los Angeles: University of California Press, 1991), pp. 40-45.

3. Some writers have explored similarities between the contemporary compositional developments of Scriabin and Schoenberg. See Zofja Lissa, ‘Geschichtliche Vorformen der Zwölftontechnik’, Acta Musicologica Vol. VII, Fasc. 1 (January-March 1935), pp. 15-22, as cited in Detlef Gojowy, Neue sowjetische Musik der 20er Jahre (Regensburg: Laaber-Verlag, 1980), pp. 59-61.

4. Larry Sitsky, Music of the Repressed Russian Avant-Garde, 1900-1929 (Westport, CT: Greenwood Press, 1994), pp. 88, 254.

5. Douglas Jarman, The Music of Alban Berg (Berkeley & Los Angeles: University of California Press, 1979), pp. 72-73.

6. Anton Webern, The Path to the New Music, edited Willi Reich (Bryn Mawr, PA, London, Vienna, Zürich and Mainz: Theodore Presser in association with Universal Edition, 1960), pp. 51-52.

7. Back in 1955, Oliver Neighbour articulated this view. See Neighbour, ‘The Evolution of Twelve-Note Music’, Proceedings of the Royal Musical Association, 81st Sess. (1954-55), pp. 49-61.

8. Peter Deane Roberts, ‘Efim Golyschev (1897-1970)’, in Larry Sitsky (ed), Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook (Westport, CT: Greenwood Press, 2002), p. 173.

9. Ibid. p. 173. Gojowy, Neue sowjetische Musik, p. 103.

10. Hans Heinz Stuckenschmidt, Schoenberg: His Life, World and Work, translated Humphrey Searle (London: John Calder, 1977), p. 204.

11. Eberhard Steneberg, Arbeitsrat für Kunst: Berlin 1918-1921 (Düsseldorf: Edition Marzona, 1987), p. 134.

12. See Robert Lienau Musikverlage Magazin Archiv, Ausgabe Nr. 4 (2002), at http://www.zimmermann-frankfurt.de/cgi-bin/main.pl?action=mgz_arc&ausg=2002/4 .

13. Schlösser, Arbeitsrat für Kunst, p. 134. The performance was cancelled because of the technical difficulties involved. See Herbert Eimert, ‘Zum Kapitel „Atonale Musik“’, Die Musik, Vol 16, No. 12 (September 1924), p. 902. The source for the date when this work was begun comes from Golyshev’s widow, according to Detlef Gojowy (Neue sowjetische Musik, p. 103 n. 362a), though the fifth movement was apparently dated 1925. Gojowy points out that the possibility should not be excluded that the quartet and trio were confused by some writers, and may be just a single work.

14. Roberts, ‘Golyschev’, pp. 174-175. Roberts also notes that Golyshev allows static repetition of a note, passing a note from one instrument to another, and doubling at the octave or unison.

15. This technique was also pioneered by Obouhow soon afterwards, though it is not clear whether either composer was aware of the other’s activities (see Larry Sitsky, Music of the Repressed Russian Avant-Garde, 1900-1929 (Westport, CT: Greenwood Press, 1994), pp. 254-255).

16. Neighbour, ‘The Evolution of Twelve-Note Music’, p. 49; Joan Ockman, ‘Reinventing Jefim Golyscheff: Lives of a Minor Modernist’, Assemblage, No. 11 (April 1990), p. 73.

17. Schlösser, Arbeitsrat für Kunst, p. 134.

18. Joan Weinstein, The End of Expressionism: Art and the November Revolution in Germany 1918-1919 (Chicago: University of Chicago Press, 1990), p. 75. There is no mention of Golyshev, however, in Arnold Schoenberg and Wassily Kandinsky, Letters, Pictures and Documents, edited Jelena Hahl-Koch, translated John C. Crawford (London & Boston: Faber & Faber, 1984), nor in the various essays in Konrad Boehmer (ed), Schönberg and Kandinsky: A Historic Encounter (New York & London: Routledge, 1997), nor Schönberg-Kandinsky. Blauer Reiter und die Russische Avantgarde. Sonderausstellung 9. März – 28. Mai 2000, Journal of the Arnold Schönberg Center, 1/2000.

19. Peter Muck, Einhundert Jahre Berliner Philharmonisches Orchester, Erster Band: 1882-1922 (Tutzing; Hans Schneider, 1982), Band III, p. 180.

20. Raoul Hausmann, Richard Huelsenbeck and Jefim Golyscheff, ‘Was ist der Dada und was will er in Deutschland’, Der Dada 1, No. 1 (June 1919), cited in Weinstein, The End of Expressionism, p. 234.

21. Weinstein, The End of Expressionism, pp. 234-236.

22. Gojowy, Neue sowjetische Musik, p. 103. For more on the Antisymphonie, see Raoul Hausmann, ‘Jefim Golyscheff’, in Heinz-Klaus Metzger and Rainer Riehn (eds), Musik-Konzepte 32/33: Aleksandr Skrjabin und die Skrjabinisten (Munich: edition text + kritik, 1983), pp. 174-177.

23. See Golyscheff: Ausstellung der Galleria Schwarz (Milan: Galleria Schwarz, 1970), pp. 1-4.

24. Helga Kliemann, Die Novembergruppe (Berlin; Gebr. Mann Verlag, 1969), pp. 39, 46, 103; Hans Heinz Stuckenschmidt, ‘Musik und Musiker in der Novembergruppe’ (1928), reprinted in Werner Grünzweig and Christiane Niklew, Hans Heinz Stuckenschmidt: Der Deutsche im Konzertsaal (Berlin: Akademie der Künste, 2010), p. 33; Max Butting, Musikgeschichte, die ich miterlebte (Berlin: Henschelverlag, 1955), p. 120; Rainer Peters and Harry Vogt, ‘Die Berliner Novembergruppe und ihre Musiker’, in Stefan Wolpe: Von Berlin nach New York (Cologne: Kölner Gesellschaft für Neue Musik, 1988), p. 47; Hans Heinz Stuckenschmidt, ‘Heinz Tiessen – der Freund’, in Manfred Schlösser (ed), Für Heinz Tiessen 1887-1971. Aufsätze – Analysen – Briefe – Erinnerungen – Dokumente – Werkverzeichnis – Bibliographie (Berlin: Akademie der Künste, 1979), p. 10

25. Herbert Eimert, Atonale Musiklehre (Leipzig: Breitkopf & Härtel, 1924).

26. Charles Wilson, ‘Herbert Eimert’, at Grove Online (accessed 2/9/14). Wilson argues the case that the Atonale Musiklehre anticipates the work of later theorists such as Babbitt. Eimert managed with his pronouncements on this work to annoy Josef Matthias Hauer, who claimed prior rights over the technique, and who wrote an open letter to Die Musik about the matter. See Helmut Kirchmeyer, Kleine Monographie über Herbert Eimert (Stuttgart & Leipzig: S. Hizel Verlag, 1998), pp. 4, 16 n. 13-14. Hauer’s open letter, dated September 5, 1924 was published in Die Musik XVII/2 (November 1924), pp. 157 a/b, in response to Eimert’s article ‘Zum Kapitel: “Atonale Musik”’, in Die Musik XVI/12 (September 1924), pp. 899-904. Eimert replied with an open letter of his own, dated January 1025, which was published in Die Musik, XVII/6 (March 1925), pp. 478 a/b.

27. At least this is how it was portrayed by Eimert himself, in an autobiographical sketch for his own 65th birthday, broadcast on Monday April 9th, 1962. Apparently all the Musikhochschule records from that time are lost; Kirchmeyer laments that at the time of his writing, the proper history of the institution has not been written, and it would be difficult due to the fact that many municipal documents were destroyed in the war, though also suggests that the very fact that so many major figures at the Hochschule at the time were involved with the Nazis was a disincentive for the subject to be studied right after the war. See Kirchmeyer, Kleine Monographie, p. 17 n. 16.

28. Eimert, Atonale Musiklehre, p. 31. Eimert named the string quartet of Golyshev as the first twelve-tone work in ‘Zum Kapitel „Atonale Musik“’, p. 92.

29. Walter Zanini, ‘Jeff Golyscheff e as Dificuldades de sua Recuperação’, Revista Música, Vol. 3, No. 1 (May 5-16, 1992), pp. 7-8.

30. Kirchmeyer, Kleine Monographie, p. 20, n. 31.

31. See Eimert, Lehrbuch der Zwölftontechnik (Wiesbaden: Breitkopf & Härtel, 1954), pp. 57-58 and Grundlagen der musikalischen Reihentechnik (Vienna: Universal Edition, 1964) , pp. 161-162. Eimert also expressed this historical view in an edition of the Musikalische Nachtprogramm for WDR, entitled ‘Unbekannte Anfänge der Zwölftonmusik’ on October 4th, 1962. See Hans Oesch, ‘Pioniere der Zwölftontechnik’, in Baseler Studien zur Musikgeschichte Band 1 (Bern: Francke Verlag, 1975), p. 274, n. 3.

32. O.W. Neighbour, ‘Arnold Schoenberg’, at Grove Online (accessed 2/9/14).

33. A thorough account of Schoenberg’s second period in Berlin can be found in Stuckenschmidt, Schoenberg: His Life, World and Work, pp. 145-194.

34. Gojowy, ‘Frühe Zwölftonmusik in Rußland’, pp. 22-23.